DT Moviehouse: Conan The Barbarian

Time once more for my blog feature, DT Moviehouse Reviews, in which I make my way alphabetically through my 200+ DVD/Blu-Ray collection (you can see the list right here) and decide if each one was worth the money. Today, in keeping with the Halloween season, I review the original Conan The Barbarian.

https://youtu.be/xwdYd_RdLCQ?si=avHCNBUty1VzTQUA

Screenplay by John Milius, Oliver Stone

Directed by John Milius

Tagline:  Thief. Warrior. Gladiator. King.

What’s It About? Between the time when the oceans drank Atlantis and the rise of the sons of Aryas, Cimmerian barbarian Conan is orphaned by evil wizard Thulsa Doom (James Earl Jones) and sold into slavery, grows up to become Arnold Schwarzenegger, and sets out a quest of vengeance.

Why I Bought It: It’s going to be difficult to say anything about Conan The Barbarian that hasn’t been espoused over and over all over the internet. It’s a touchstone picture in my life (although I actually saw Conan The Destroyer first). My enthusiasm for it led me to seeking out the writer credited in the astounding opening title sequence, Robert E. Howard, which in turn led me to a stack of Lancer paperbacks with dynamic painted Frank Frazetta covers, that greatly inspired me to write my own short pulpy stories.

From the croaky, resounding introductory narrative by Mako to the first thundering beats of Basil Pouledouris’ monumental score when the fiery outline of Jody Samson’s iconic bastard sword pours across a pitch black screen, Conan is something special.

It goes hand in hand with The Road Warrior as a movie that inspired a slew of inferior imitations and birthed their own genres. Conan landed in the midst of the 80’s fantasy boom and slashed the sword and sorcery offshoot from its side. Because of Conan we got The Barbarian Brothers, Beastmaster, Sword And The Sorcerer, Hawk The Slayer, Deathstalker, and a plethora of two syllable named monosyllabic oiled up beefcake sword swingers, none of which hold a candle to this. Even the sequel seems to forget just what makes this movie so great, and falls back on oiled muscles, rubbery Halloween costumes, and Arnie’s shining pectorals.

So what DOES make it so great?

Like The Road Warrior, I think it’s the sense of total savagery and danger – the idea that the world is not safe and something horrible could happen to you at any moment – and that the protagonist is not only entirely capable of dealing with it, but he is himself something horrible for somebody else to fear.

Raiders come flying out of the woods with packs of snarling hounds. They cut a mother from her child’s grasp and adorn a burning village with the heads of the vanquished. Conan is flung into a down and dirty arena and learns (along with us) that this is a world where anything goes, as a sharp-toothed pit fighter bites into him. Conan learns quickly to kill or be killed, trusting his steel against giant snakes, towering warriors, and memorably, hacking his way through an orgy of bloodthirsty cultists.

The movie earns its R rating with epic bloodshed and casual nudity.  Yes, no denying it’s adolescent male fantasy, but what of it? I was an adolescent when I saw it and it hit perfect. Adolescent males need their fantasies too.

Central to its success is the star making performance of Arnold Schwarzenegger. Milius stated that if Arnold had not existed he would have had to have been built to fill the role. His commanding, superhuman physical presence dominates every scene, but it’s what’s behind his eyes, his undeniable grim charm, that elevates the role. He says very little, but when he interacts with Subotai (Gerry Lopez) and Mako and Valeria (Sandahl Bergman) he does it with humanity, displaying humor and camaraderie and affection. That he doesn’t embarrass himself in his scenes with weighty actors like James Earl Jones and Max Von Sydow raises Arnold (and Conan) high above the imitators.

The aforementioned supporting actors bolster the material greatly, but I would be remiss in not mentioning the ‘Great Danes’ Milius selected to act as foils for his physically intimidating star – Sven Ole Thorsen as the hammer wielding Thorgrim, football player Ben Davison as Rexor, Franco Columbo as a tattooed Pictish scout – Milius could have filled these roles with any old meathead gym rats, but these big bodied men with grim, interesting faces instead play perfectly off the stoic Conan, supervillains to match a superheroic role.

William Smith, ubiquitous heavy in various TV shows and movies of the 70’s has a great turn as Conan’s philosophic swordsmithing father. It was years before I even realized it was him.

Like a Bond film, women are only a little better than complimentary scenery in a movie like this, but Nadiuska (Conan’s mother), Cassandra Gava (a seductive witch), and Valerie Quenessen (Osric’s daughter), in their own way, like Arnold, are lithe and tigerish and exotic and seem to have been made to fulfill their roles. They are otherworldly in their beauty. They cannot exist outside the Hyborian Age.  Sandahl Bergman’s wry swordswoman Valeria, whose worldly exterior hides her romantic heart, Milius describes her as ‘a Valkyrie’ and I can’t think of better words than that. She recalls (or is it foretells?) tough female protagonists like Ripley from Aliens and Charlie from The Long Kiss Goodnight. She’s the woman you want at your side in this particular adolescent fantasy. At one point she clubs the wayward princess with the severed head of a guard. Cracks me up every time.

The action and battles are tremendous (much augmented by the Poledouris score), the script itself is imaginative (Mako and Valeria defending Conan’s magically warded body – a nod to Kwaidan’s Hoichi The Earless sequence – is a standout), and the practical FX are great for the most part. Never seen a better looking giant snake, and Doom’s petrified serpent arrows, maybe harkening back to the snake staves from The Ten Commandments, are killer.

I had the pleasure of seeing this on the big screen recently in a crowded house, a good number of whom, men and women, had never seen it before. Few things compare to seeing something you love with others who are experiencing it for the first time.

It’s a shame the sequels Milius envisioned never materialized. Somewhere there is an alternate universe where Arnold returned every couple of years James Bond fashion.

Best Dialogue/Line: Crush your enemies. See them driven before you, hear the lamentations of their woman.

Best Scene: Conan is crucified to the twisted Tree of Woe by Thulsa Doom and left to die. This is a scene adapted from the Howard stories, and struck me on my first viewing as one of the most arresting sequences I’d ever seen. The obvious Christian iconographic reference is totally upended. Robust, clean shaven Conan bears little resemblance to the emaciated, bearded Christ, and does not submit to death with meek acceptance. When one of the buzzards perched on the intricate limbs of the tree finds the courage to rustle down and nip at Conan’s wounds, Conan rewards it by biting into its throat and killing the offending carrion eater, defying Death and all its servants with the last ounce of his willpower.

And when, at the edge of consciousness, he spies Subotai rushing over the dunes, he greets salvation not with a grateful sob, but half-mad laughter.

Arnold’s Conan fueled a lot of my DnD characters for a lot of years…

Would I Buy It Again? I did. Bought the director’s cut, and while I love the added ‘spring winds’ speech prior to the Battle of The Mounds, I prefer the original ending to the alternate cut with the princess taking a more active role in Thulsa Doom’s comeuppance. I like that she leads him to Doom, but I don’t like the angles and takes used.

Next In The Queue? Maybe The Road Warrior, for comparison.

Published in: on April 14, 2024 at 4:17 am  Leave a Comment  
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A Private Message For Monica Pakla

Monica, this is a private message for you. If you ever want to read it, the password is the surname of my school bully. The same guy who once gave you some advice that kept you from making a terrible mistake. You taught me that people aren’t black and white.

CLICK HERE.

The Laughing Heart

your life is your life
don’t let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is light somewhere.
it may not be much light but
it beats the darkness.
be on the watch.
the gods will offer you chances.
know them.
take them.
you can’t beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.

-Charles Bukowski

Published in: on April 14, 2024 at 2:30 am  Comments (1)  

On The Announcement of Mort Castle’s Lifetime Achievement Award by the HWA

It is very telling that even as I have a short story invitation to complete and submit (I don’t get many, but I do get one once in a while), I instead decided to devote time to write this in the wake of the announcement of Mort Castle getting a lifetime achievement award from the Horror Writers’ Association. Telling, about my own admittedly deeply flawed and surely a little bitter character, but also on the lasting impact that the words of others have on our lives. Well, mine anyway. Particularly in my formative youth.

I first met Mort Castle when I was about sixteen. He was a professionally published author and was offering a kind of writer’s retreat/symposium at Bloom Trail High School in Steger, Illinois, evaluating students’ short stories.

I was only just starting to figure out I wanted to be a writer, filling notebooks with a long running Mad Max-like novel about a post-apocalyptic trucker that seemed to entertain my classmates, doing the odd short story for the Thornwood High School literary magazine, and writing and drawing a comic strip (‘Fer The Birds) for the school paper, The Arrow.

Something in my writing caught my teacher’s eye and she took a short horror story I wrote, Dodomike, and submitted it to Castle’s event to be evaluated.

It was based on a story another kid verbally told me about a story HIS mom told him to keep him in bed at night as a boy, about a ink black skinned little man who scurried across his ceiling at night and threatened to ‘get’ him if he got out from under his covers. In the story, Dodomike taunts the young narrator from the corner of his ceiling until he wets the bed, too scared to leave. He later kills the narrator’s little brother. In adulthood, the narrator confronts a much larger, grown Dodomike (very grown – like Kareem Abdul Jabbar in Game of Death-sized), trapping him and destroying him in his bedcovers (bedcovers being Dodomike’s magical Kryptonite). It was probably pretty paint by numbers, not very sophisticated, but the visual of that kid’s story infected me and it was the first entirely original thing I can remember writing. Well, original in that it wasn’t emulating anybody else I’d read. It was my friend’s bedtime story, so in all fairness I guess I yanked it from his mom.

Anyway, my teacher, Ms. Allman, surprised me with the submission. She found out about it too late to ask me if I wanted to go and just sorta made the assumption I would and put me forward, asked me later. No shade on her. Of course I wanted to go, and I was honestly deeply touched that she thought enough of my work to put me out there like that. She had encouraged me in the past, circling little turns of phrase she liked in what I wrote. It made me look forward to getting my stories back from her. Like I was writing to entertain her specifically. When my stories touched on the usual teen angst and existential depression, she would write little personal notes in the margins, urging me not to despair.

She talked up Mort (they were colleagues), and yeah, I was excited to go and have an honest to God professional look at my stuff. So I got on a bus with one of the school paper writers and a bunch of other kids from other school districts a couple weeks later and we went to the neighboring town and this alien, out of district high school with its big auditorium. I remember kinda buzzing with the excitement of it – the newness of the surroundings and the idea of being in a big room with like-minded kids and a real-life author.

Mort Castle comes out to address us, and gives a reading from one of his books. It was a Batman tie-in novel. Actually, I think it was a novella, part of a collection. I remember it was a very descriptive passage, something about climbing and the rain and…jazz music? I only have impressions. I was just impressed that it was Batman.

Then he passed back our personal evaluations.

I kept mine for a long time, but somewhere between Indiana, Chicago, and Los Angeles, I tossed it or lost it. I think the former. I held onto rejection letters for a long time the way Harold in The Stand did but after a while I got sick of lugging them around so I think all that stuff probably ended up trashed or recycled. I guess hoarding rejections works as motivation for some people, but it sure didn’t for Harold. Me neither.

At any rate, like Mort’s address and reading, what I have left thirty some years later now are only impressions.

What still stands out crystal clear in my mind’s eye is his opener.

“Dear Ed Erdybirdy or whatever (I suggest if you ever decide to answer a professional call for submissions you be sure your name is legible)….”

I dunno. Mocking my surname seemed kinda….unnecessarily mean spirited to me? Like something I’d expect from the gym locker room in middle school.

Plus….I didn’t write my name on my submission. My teacher did. Which, OK, fine, I’ll allow that Morty had no way of knowing that. It’s a bit of a comedy of errors, a farce of misunderstandings, and perhaps I was and am oversensitive to the pointed ruler whack at my comprehension skills. But….that’s how you open a professional critique to a sixteen year old aspiring writer coming hat in hand to you for advice on honing his craft? It was pretty condescending. Needlessly.

And what was the advice I got?

That an in-depth description of a child wetting his bed is “revolting” and “in bad taste” and something “even Stephen King wouldn’t depict.”

So….I was in high school from 1989-1993.

Stephen King published IT in 1986. If you’ve read IT, and remember how the 11-12 year old kids of the Losers’ Club find their way out of the sewers, well….that’s all I got to say about that.

The rest was more piling on about my not following his formatting guidelines, which I had never seen.

OK so, that’s mainly it. And rereading it above, it probably doesn’t seem like a big deal. Much ado about nothing. Writers are supposed to have thick skins, right? I guess that was the lesson. Morty-whatever was JK Simmons to my bloody fingered Miles Teller. That’s all. No biggie, right?

Well, after we all had a chance to silently read our critiques (and this was an auditorium of kids from two or three different schools – thirty or more), Mort called out the name of a girl from my school and asked her to stand up. She did, and he began applauding her from the stage.

Then he announced to the rest of us,

“This is the only person in the room that has what it takes to make it as a writer.”

I just remember a deep, deflated feeling of shame, staring at my deliberately misspelled family name in red ink across the top of my story, trying to find the good in the subsequent, brief paragraph of criticism, the constructiveness, honestly, the hope, as corny and maybe overdramatic as that sounds, and failing.

I congratulated the girl from my class, and rode back to my school in silence, and when my teacher asked excitedly how the symposium was, I just sorta shrugged and handed over Morty’s critique.

I remember she was teary-eyed after she read it, and apologized very profusely, took all the blame for the formatting critiques because she had submitted it hastily on the day of the deadline, and had some pretty choice words for Morty and wondered aloud why he would write what he wrote. It was the first time an adult not in my family ever apologized to me and I just remember feeling pretty awkward. She totally meant well and I didn’t blame her one iota.

How did this first resounding ego blow affect my writing?

Well, I never finished The Long Haul, my nine notebook violent post-apocalyptic action opus. I wrote a couple of stories here and there, submitted them to the big publishers and magazines, got nowhere (I’m sure they weren’t great – dunno though, had a computer crash in the days before Cloud and lost all my early work), and decided maybe I was a filmmaker. Around the same time, tired of my junior year Art and Design teacher calling everything I submitted cliched, I gave up cartooning and art. I guess the lesson is I was easily discouraged as a youth? But I don’t know…I wouldn’t say that really, ’cause I did keep at it. Just, in those years, with significantly less enthusiasm.

Went to film school, wrote a dozen or so screenplays, did a couple short films, didn’t think about fiction or short stories again for a number of years.

My first paid, published short story was in 2008, sixteen years later, after I was encouraged to try my hand at it again by winning a couple of online Lucasfilm story contests (I wrote the backstory to some background Star Wars characters, one of which they made into an action figure).

That encouragement led to my first novel, Buff Tea, and The Merkabah Rider books, more short stories, shooting my own feature film, and a couple of paid Lucasfilm stories as well as my Del Rey novel Andersonville, the paycheck for which qualified me at last for membership in the Horror Writers’ Association.

I can remember riding high on all that accomplishment, and the elation of logging into the professional message boards for the first time, naively thinking I was gonna be talking shop with Stephen King, Joe Lansdale, and Richard Matheson. I was now accepted in the company of the greats, right? Instead, I was pretty crestfallen to see a bunch of lifers bitching about how the association had lowered its membership standards and were letting the riff raff in. No lie (note: none of the aformentioned guys participated in those boards and they weren’t slagging on us noobs. I don’t remember who did. Nobody I’d heard of).

That kinda sucked, but eh, a career in art is very often like reaching a mountain peak and finding a higher ascent waiting beyond.

So, one of the perks of HWA membership was supposed to be invitations to these exclusive anthologies featuring top drawer named writers. I do not now remember the particulars of my attempting to contact one of the editors of these anthologies to see if they’d take a look at something of mine, only that the interaction over e-mail was so condescending and off-putting, that afterwards, I Googled the editor I was talking to.

And whose face popped up?

Smilin’ Morty Castle.

And that incident from that high school writing symposium came flooding back behind my eyes.

Because I hadn’t remembered Mort Castle’s name. After sixteen years, I plain forgot about him. No, that’s not entirely true. That initial interaction still stung, like getting shoved to the ground by a bully. I remembered his face and the diminished feeling I had as he stood grinning at that podium like some kinda dark, insidious version of Gabe Kaplan on Welcome Back Kotter applauding that girl standing up, sorta embarrassed while twenty nine other kids sank deeper into their seats and avoid eye contact, but I didn’t remember his name at all.

I had never encountered him in my reading, never had anything by him in my personal library. I still don’t know what he’s done (and before I’m contacted with bibliographies and citations, I don’t care). Never run across anything by him in the wild, or if I did, it was during that sixteen year space when I didn’t remember his name.

Obviously now I do, and not to be smarmy, but I still haven’t experienced his work. I haven’t made a point of actively avoiding it, I just don’t seek it out and it’s never come on my radar. I fully admit though, I’m not that much vested or well-versed in the majority of work in the modern horror community. I’m not typically drawn in by authors’ names anymore, but solely by interesting stories or concepts.

So though I hadn’t remembered his name, I remembered his face.

Towards the end of my time with the HWA, I attended Stoker Con in New Orleans and during the big awards banquet with my then-wife, I suddenly found Mort Castle at my table, speaking to, I think it was Usman Mlk, smiling genially and laughing.

This is a weird thing to admit, but I found my stomach turned at being in close proximity to him, and I had an intense urge to drag him by his mustache and fling him into Lake Ponchartrain. I can only equate it to coming around the corner in the supermarket and finding yourself face to face with the school bully you never had the sand to confront in high school. All these old, hurt and angry emotions bubbled up in me, and I literally found my hand trembling as I sat there listening to the sound of his voice.

But, I didn’t act on them, of course, didn’t even say a word. I’m not, by nature, a violent person, and despite the character of this post, I don’t think of myself as particularly fragile anymore. I just confessed it to my wife later in our hotel room, and sat up there and finished my tenth novel, my gregariousness decidedly curbed for the evening. Still had a lovely time with my ex, completed what I still think of as my best work, and watched Childish Gambino sing Redbone for the first time on Jimmy Fallon, which was pretty kickin.’

Have I dwelt on Morty Castle in the years since?

Nah, not really. No more than I do the thoughtless brutality and insults of my real life high school bully. What would be the point? We can’t allow ourselves to be dominated by past slights against us, and as traumas go, well, this hardly constitutes a MeToo moment for me.

So why post this? Am I bitter bastard? Eh, maybe a little. Am I jealous? Nah, that’s not it. Maybe I’m just kinda tired of seeing people of low character granted accolades. There is a lot of that going around in the world today.

It’s just that every so often the horror community marches that jerk under my nose again, and every time, I do not hesitate to make my opinion of him known. Over the years, in private conversation with other genre authors, his name has come up once or twice.

I have never found anybody who disagreed with my assessment of his character. So, I guess he hasn’t changed.

Does Morty care? Nah. I’m positive he doesn’t remember his slight against me at all.

But what does that say about Morty? To me, it says that he has perpetrated so many offhanded affronts, my own is but a single wave in a wide ocean of offenses. With bullies you see, it’s the victim that mainly carries the emotional burden. The perp just moves onto the next poor schlub.

I can’t say a thing about his writing. I can’t say a thing about whatever accomplishments of his have warranted the HWA seeing fit to elevate him to the company of Richard Matheson. None of this has any bearing on any of that I guess.

All I know is he’s a dedicated asshole. And I don’t go around disparaging people lightly. In forty eight years of life, I can count the number of people I have encountered and continue to dislike on one hand. Morty Castle is one of ’em. I think he’s a lout of the first order.

I am not without sin, but I don’t think I’m casting stones either. Just relating my feelings, saying what I know to be true. Maybe Morty’s done a whole buncha good for somebody. In fact, I’m sure he has. I’ll be his family loves him. Nobody’s all good or all bad.

There is a bit in Matheson’s Spur Award Winning Journal of The Gun Years (it might have been in The Memoirs of Wild Bill Hickock – I’m sorry, I love and revere Matheson but they’re the same book. He even has the main character of each meet the other one in the same point in each other’s story, almost like a playful middle finger to the reader) I often think about these days.

The main character Clay/Hickock exits a saloon with a decidedly sociopathic and dangerously violent friend (and yet, a friend who on the surface, is the picture of cool calm at all times).

In passing, the partner is jostled by a burly cowboy entering the saloon, who mutters something disparaging, and a schoolyard warning to watch their step before passing through the gull wing doors.

Clay/Hickock and the violent partner walk a few steps into the street, and his friend stops, excuses himself, goes back into the saloon, and shoots the offender dead, walking out a few seconds later with an air of apparent nonchalance, even stepping just a little lighter.

Clay/Hickock, stunned by the sudden act of violence, asks his untroubled friend why he went back and killed the man.

He replies that if he hadn’t, the slight against his person would have stuck in his craw to his dying day.

When these old feelings came up again in the wake of the HWA’s announcement and I posted my usual opinion on social media, an author friend contacted me privately, agreed that Morty was an asshole and insufferable, and added a list of negative traits and actions I’m not personally acquainted with him enough to know anything about (but that track pretty well with what I know of people like him I’ve met in my life).

His advice was to just let it go.

So this is me, letting Morty go. I don’t want to write about my reasons for feeling the way I do about Morty anymore. Now I’ll have this post to direct people to, if they ask me. This is me, like Clay/Hickock’s ‘pard, doing and about face, moseying back into the saloon, and being done with it.

And that is the true lesson to be learned here.

32 years later, though I have not daily dwelt upon Morty’s careless and insultingly cruel graffiti scrawled across the top of my first little horror story, or his, in hindsight, kinda dumb, tone deaf critique of its amateur content, or his remarkably callous and dumbass act of elevating one kid above a whole room of hopefuls and rubbing their noses in collectively perceived failure, the feeling I got from all that as a kid is definitely still with me as an adult, and surfaces whenever I have the displeasure of reading his name.

As a father, I don’t know how an adult (and a teacher no less) ever thought it was a bright idea to stomp on a bunch of kids’ dreams. You don’t do that. Even if the first effort is bad, you encourage the effort itself. Leave the real rejections to the magazine editors. They will come.

I wonder how many writers made it out of that symposium. I do not now recall if my classmate Malon Edwards, now a well-regarded speculative fiction author was there that day, but though I am not a particularly successful writer myself, I have sixteen novels published at every level of which I’m proud, a dozen screenplays, I’ve sold dozens of short stories, and I have a feature film on Amazon Prime. I’ve been paid to write Star Wars, James Bond, Sherlock Holmes, and Winnie The Pooh.

I’m pretty sure the girl whom Morty applauded from the stage never wrote another thing as far as I know. She’s a nice lady.

Life is short and we are all dying. It’s far better to be kind to the other souls we meet. In the words of Elwood P. Dowd, “In this world, you must be oh so smart, or oh so pleasant. Well, for years I was smart. I recommend pleasant. You may quote me.”

And if you happen to read this – get bit, Morty-bird (or whatever) Castle.

You’re still a prick.

Published in: on April 8, 2024 at 3:15 am  Comments (2)  
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Conquer: Fear Of A Black Cat

Life events surrounding the release of my novel Conquer: Fear Of A Black Cat prevented me from doing a proper post about it, so I’m rectifying that here.

My not-so gentle readers will remember John Conquer last appeared in the self-titled collection CONQUER, which included his debut stories from Occult Detective Magazine and some new offerings I wrote to tie the book together into a sequential narrative a la MERKABAH RIDER.

John Conquer is a hip occult detective, tussling with all the jive ass low down haints 1976 Harlem has to offer. A Vietnam vet, ex-cut sleeves gangster, and the scion of New Orleans Vodoun queens and Hoodoo kings, Conquer has fought vampires after hours in the Harlem morgue, tangled with a popobawa sex demon conjured by a vengeful prostitute, wrestled a slip-skin hag preying upon the members of a gay Vodoun hounfort in Brooklyn, gone toe to toe with a bow and arrow killer with all the powers of a bull gorilla, and saved graffiti taggers from a monster stalking the NYC subways.

In the full length sequel novel, FEAR OF A BLACK CAT, John is called upon to solve the murder and mutilation of his foster mother, Mamalawo Consolation Underwood, by the estranged son of his worst enemy, the so-called Devil of Harlem, Hoodoo gangster kingpin King Solomon Keyes. John is ready to burn down the boroughs to find the doer, but his twisting investigation leads him to uncover a plot by a sinister and old-rooted occult organization to strangle a people’s magical revolution in its infancy. What do rec room parties in the Bronx, white supremacists, and The Son of Sam have to do with all that? Read the book and find out, sucka.

I dove deep into the history and folklore of 1970’s NYC in this one, and it certainly turned out to be one of the most intense and deeply rewarding writing experiences of my career. Sometimes I tap into a kind of mystical correspondence when I’m researching and writing a book, an instinctual creative flow that leads me down unexpected pathways and makes surprising connections of seemingly disparate elements to deposit me at an ending even I can’t always predict. This has never been truer than in the writing of this book. Stuff came to me from the far corners of the ether and just demanded to be talked about. It’s the longest I’ve ever taken to write and the longest I’ve ever produced, but I promise if you take the journey with me you won’t be disappointed by the destination.

Here’s an excerpt –

—————————————————————————————————————-

Conquer unfolded the map and squinted at the spot he’d circled in Park Hill. Alta Avenue. Last known location. As good a place as any to start.

He went up Ludlow, turning up the collar of his coat even though the sun was beating down. A flush faced, mean-looking young cracker with a beer gut stood in the doorway of a bar and clenched his fists. He said something to somebody behind him, something Conquer couldn’t hear. But he got the gist of it when two or three bleary-eyed, greasy-haired punks staggered into the sun to frown at him.

He thought back to his Black Enchanter days, bopping into enemy territory, busted windows and black doorways crowded with kids ready to defend their turf. But he was by himself, no brothers to back him up. He had the .357, but pulling a pistol in this neighborhood, even just to wave it and scare some ofays off would bring the swine down faster than a 747 with no flight crew on his black ass.

He heard some bullshit comments, not loud enough to get his full attention, and kept walking, till they were drowned out by the ravings of an old bag lady cawing like a crow about Mexicans on the corner. When she got an eye full of him, she changed her tune, and her screams of ‘nigger’ followed him up the block like an alarm klaxon alerting the neighborhood.

Maybe he hadn’t thought this thing through. One thing was for sure. If a Nazi skinhead had a home address anywhere, Yonkers was a good bet. This town was whiter and meaner than a New York winter.

Following the map, he reached an incline and the character of the neighborhood changed from blue to white collar. The bars and liquor stores gave way to tree-lined Undercliff Street, a woodsy buffer that wound up the hill up through the trees and deposited him into an exclusive residential area of emerald lawns and black iron gates. A grinning, red-lipped little concrete lawn jockey held a lantern in ghastly salutation, like a glossy, tarred over corpse marking the boundary of a sundown town.

Good old Jocko Graves, the Faithful Groomsman. Conquer wondered if the owner liked to repeat that bullshit story about the loyal little black boy who waited with George Washington’s horse on the Pennsylvania side of the Delaware and froze to death in the night rather than desert his post (or light a goddamned campfire).  Old Massa George had been so moved by his slave’s heroic sacrifice he’d supposedly immortalized little Jocko in statuary form and set him at the gate to Mount Vernon. Sure, that coal black skin, those swollen, watermelon sucking Sambo lips; they all made for a really touching memorial; at least as flattering as the big bronze one they had of Washington himself on Wall Street.

The houses here were of the big, gabled type, and the white-faced ghosts who haunted them hovered in their front yards, pretending to wipe down their blindingly expensive cars or water their lush rose gardens even as they marked him with icy eyes or surreptitiously retired to their kitchens and drew the blinds.

Conquer sweated beneath his jacket, behind his ears, and down in the small of his back. All the hoodoo in his pockets meant nothing here. The weight of the gun was a millstone, contraband that would land his ass in a world of hurt if discovered. He’d be dead before they ever saw his license.

He’d been driving around with Pope under the cover of the Me No See’um oil for so long he’d gotten lazy; forgotten the fundamentals of being a black man outside of Harlem.

Park Hill, Yonkers, presumably one of the seven hills mentioned on the welcome sign, sure as hell wasn’t Harlem. It wasn’t even New York City. It was a whole ‘nother world, way past the boundaries of civilization. He was a foreigner. More, to the backwards, spray-tanned natives bedecked in pastel clothes, glittering Rolexes and Ray-Bans, he was an unwelcome invader trespassing in their ancestral lands, threatening their sacred traditions with his high culture, turning his broad nose up at their bland foods, their strange, arrhythmic music, and lusting over their pale, skinny women.

The quivering scouts were beating their tom toms, though he couldn’t hear them from the sidewalk; the whir of rotary dials and the muffled mutterings of ‘suspicious character’ and ‘weird black guy’ were passing along the phone lines to muster their barbaric headhunters to war. Even now the leather-clad savages were probably scrambling, observing their preparatory rituals, donning their fetish stars, arming themselves with their primitive clubs, loading their quarrels of blunt, lead headed missiles, working themselves into a berserker frenzy, all set to drive out and drive down the Other, to spill his blood for the glory of their white, heathen gods.

Conquer shivered deep down, kitchen bristling when he came in sight of his destination. There was no doubting it.

If The Man had a house it was the one at 87 Alta Avenue.

The monstrosity of a home sat on the top of the hill in a cluster of trees like Dracula’s summer pad. It must have been five stories. No doubt you could see the Hudson River and the whole city clear on down to the edge of the Bronx from the top of the turreted grey tower at its center. A tall lightning rod poking up from the tip of the witch hat had probably brought Frankenstein and his lady much joy. It put King Solomon’s Sugar Hill pad to shame. You could probably fit his palace in the foyer of this one. All arching stone work, shingles, and wide, stained glass windows, it was too big to be a church and was probably older than any church in the city. The only god worshiped here slept in the master bedroom. It didn’t conform to any rules of symmetry Conquer understood. The architecture was as sprawling and out of control as its owner’s ego, thousands of square feet. There was a broad stone balcony; it must have been a hundred feet long, at least three peaked roofs, and a tall chimney that looked like it might have been imported from Auschwitz.

Who built a castle in Yonkers of all places?

Even among the Tudor mansions and Queen Annes it was out of place. It had no frontage to speak of, just a little semicircular drive right off the street wishfully obscured by three meager bushes. There was no fence around the place, no sloping drive. You could walk up and knock on the door.

Conquer stood there gawking at it, wondering what to do next.

The skinhead who had shot up Hekima Books, one of Mama Underwood’s killers, had come to this house. It didn’t make sense. He could picture the dude he’d chased leaning in a downtown Yonkers doorway, conversing with oily mechanics and muttering under his breath about ‘black bastards,’ ready to tag a synagogue with the spray can in his jacket pocket, but here? Whoever owned this pad would make a piece of white trash like that take both his feet entirely off before he’d let him walk on the carpet.

There was no Chevy Nova with a .357 magnum hole in the taillight parked out front. No cars at all. What was this place? Who lived here?

Conquer put his hands in his pockets and stared up at the monstrosity. He wanted to laugh at the ridiculousness of the thing, but somehow he couldn’t bring himself to do it. Something in that structure looked down on him. Something old. It seemed to grin and call him ‘boy’ in that special elongated lazy twang that recalled broad white verandas and cotton fields and got his blood boiling over.

He suddenly wanted to kick the door in and drag whatever was inside there looking at him out into the twentieth century, but he was afraid, deep down in his soul, that it would be like poking a lion in the face.

Or maybe a wolf. A big white wolf.

Then he saw the Yonkers police squad coming around the corner, creeping slow, like a sly predator sneaking up on him through the tall grass.

The hyper-awareness of his immediate surroundings, which he’d mislaid at the appearance of the house, returned.

He focused on the squad and tensed. No Detroit steel armor to keep him safe. No Me No See’um oil to keep him hid. He was exposed to the red and blue eyes of this blue and white stalking him. Any minute those eyes would flash and the beast would leer and bare its .38 caliber fangs….

Published in: on March 4, 2024 at 11:00 am  Leave a Comment  
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Interview On Without Censor!

Thanks to the righteous dudes at the Game Rage Magazine Podcast Network for havin’ me on their interview show Without Censor for pert near two hours talking about myself, the crests and troughs of my career, writing for Star Wars, indie filmmaking, and my latest novel, 13th, my love letter to the Friday The 13th movies.

Give a listen here.

https://gameragemagazine.com/without-censor

13TH

For my forthcoming sixteenth novel I decided to write something a bit different.

If you ever wondered what Jason and Christine got up to in the woods in Part 3….if you ever wondered why Rennie kept seeing visions of a young boy in part 8…if you ever wondered what the deal was with all the body hopping and the magic dagger and THAT book in Part 9…then you’re in for a treat.

If you don’t even know what the hell I’m talking about, well, read the copy –

THE MAN BEHIND THE MASK IS BACK

In New Jersey in 1957 a little boy named Joshua Ian Hodder drowned in the waters of Diamond Lake while the camp counselors charged with watching him made love.

His distraught mother slaughtered nine young people in revenge before she was herself slain.

Then, somehow, Joshua returned.

Driven to kill by a seemingly unending and unreasoning rage, Joshua has spilled enough blood to lap the shores of Diamond Lake. His savage crimes are legendary and span two decades.

Twelve times he has been stopped, only to return. Now he is hunting down those few who have managed to defeat him, and with each new kill, he is growing stronger.

Joshua’s long estranged father steps out of the past to stand against his son with the last survivors; a pair of FBI agents tasked with hunting him down, a young telekinetic just coming into her own power, an FX artist who had thought all that bloodshed was behind him, an ex-heroin addict who last saw the face of evil in the sewers under Manhattan, a woman whose first encounter with Joshua in the woods at sixteen left her mind shattered, and Joshua’s own niece, trained as a human weapon by an obsessive bounty hunter whose clash with the killer left him wheelchair-bound, for according to legend, only by a Hodder may he die….

I read a lot of Judy Blume, James Howe and Rebecca Howe, Beverly Cleary as a kid, and of course comic books. The first time I can remember being really arrested by an adult novel was Sister Marie at St. Andrew The Apostle school reading Jack London’s Call of the Wild to us 6th graders. I wasn’t allowed to watch Rated R movies as a kid, but my parents did encourage my reading, so any movie novelization I picked off the rack was fair game.

The first time I can remember wanting to be a writer myself was after reading Simon Hawke’s novelization of Friday The 13th Part VI: Jason Lives. I did it in one setting – ate it up. Something visceral and immediate in the writing grabbed a hold of me and didn’t let go.

It was years before I actually saw the Friday The 13th movies, but I always had a soft spot for the character of Jason Voorhees. The series varies wildly in quality and tone from movie to movie, and its latter installments introduced some really far out elements that made a lot of fans scratch their heads.

A few years ago Gun Media put out one of the best and most loving video game interpretations of a movie series I’ve ever played with their Friday The 13th multiplayer survival horror game. That brought Jason back to the forefront of my mind.

Then Stephen King tweeted about wanting to write something from Jason’s POV, which is a fine idea. Now there’s a new prequel show coming out on one of the streaming services.

Jason is slowly making his way back into the public consciousness after fifteen years of sleeping beneath a lake of legal entanglements.

In the interim years, rewatching the series, I amused myself by trying to explain the weirder elements of Jason’s mythology and extrapolate character relationships. It’s the sort of thing I did when I was writing Star Wars pastiche for Lucasfilm. Exploring the obscure stuff that didn’t quite work, and finding away to make it make sense.

I’m aware there were comic book continuations of the series past Freddy vs. Jason….I haven’t read them and when I made up my mind to do this, I deliberately avoided them.

I’ve had a five figure advance from a major publisher. I’ve sold dozens of short stories, written for the most popular space fantasy series of all time, as well as James Bond, Sherlock Holmes, and Winnie The Pooh. I’ve spoken at San Diego Comic Con and Necronomicon in Providence.

Why, for my sixteenth novel, did I basically write a fanfic?

I dunno man, because I wanted to. Because it was fun. I love this series, and nobody’s paying anybody to try and make sense of its continuity. The suited powers that be would rather throw the baby out with the bathwater and start again from the beginning. And that’s fine. I’m sure it’ll be interesting.

But I have, over the years, made a lot of connections that I think work pretty well.

And I figure if I’m gonna share it with you, it can’t wait any longer.

So here’s the first chapter. Pick it up January 12th in E and Paperback in the usual places.

———————————————————————————————————-

Captain Cash “Shamrock” Silver awoke from his light leak check, had a combat dump, slipped into his speed jeans, and zipped up his flight suit at 0500.

By 0530 he had sucked a Cuban down to a stub in the passenger seat of a blue steely that deposited him on the tarmac.

“Helluva day to fly,” said the FNG airman behind the wheel. “Good luck.”

Shamrock tapped the green four leaf clover on his HGU-55/P helmet and gave the kid the bird before he walked off towards his waiting F-16C.

Why’d that dumbass cherry have to go and wish him good luck? Didn’t he know it was bad luck? Didn’t they teach these zoombags anything?

Shamrock was not an overly superstitious guy, but you tended to get those types in the Air Force. He once knew a jockey that used to insist on pissing on his nose wheel after he completed his pre-flight walkaround.

He had his daddy’s silver Morgan dollar, though. The year, 1921, added up to thirteen. Thirteen for the thirteen tail feathers on the eagle on the flip side or the thirteen original colonies or some shit his daddy had said. He didn’t know. His daddy had gotten it from his own daddy and carried the thing in Korea, and Shamrock had it now.

Good luck.

Why? It was a perfect day for flying.

Now he was annoyed.

He’d never had a day of bad luck in the air.

Today he was testing a new renewable additive to the JP-9 fuel. Some hippy-dippy bullshit some Democrat in Congress had probably pushed for. So what? Nobody anticipated any problems.

But it was Friday the 13th.

So?

The mission where he’d earned his permanent callsign had been on a Friday the 13th.

Whew.

Seventeen years ago, that had been.

He’d been in the cockpit of an f-117 Nighthawk. An overpriced, fly-by-wire piece of crap at Holloman, when he’d got the call to scramble and put iron on a target in the woods outside Diamond Lake, New Jersey. Some ultra-top secret hush hush bullshit for the spooks. He’d dropped a pair of hi-drag GBU-12 Paveway II’s right where he was told, gotten an attaboy, and went on with his life.

Shamrock, they’d called him after that.

Good luck.

Good luck, hell!

He wanted to get this over with.

He did a swift walkaround of his F-22 Raptor while the ground crew dosed her, actually considered pissing on the nosewheel, then came around to the stepladder.

“Kick the tires and light the fires!” he shouted, and slid into the cockpit.

He was in Egg Harbor air space in minutes, ground pounders droning over his headset, monitoring his readouts, instructing him to do this and do that while they gauged the results.

His bird was a little sluggish on the takeoff for some reason, but he leveled her out smooth and steady.

Good luck…

Cakewalk.

He got the order to put the balls to the wall and pushed the throttle forward, climbed the barber pole, the Raptor’s speed increasing. G forces kicked in, speed jeans inflating to compensate, regulate blood flow in his legs, prevent G-LOC.

The skies were clear and blue, the clouds racing by.

Good luck.

What for?

He was five by five.

There was the boom as he hit Mach 1.

Then there was a shudder in the stick and some Indian night noises, ticks and rattles like an old house settling. Disturbing in a house at night, multiply the pucker factor by ten in a plane going Mach 2 at angel 20. For a second he was back in that rattletrap F-117.

“I think I got a problem,” Shamrock said.

The shudder turned into a wobble.

“Feels like F.O.D.,” Shamrock radioed.

Foreign Object Damage. Bird or something. He had once negotiated a bird strike in this very Raptor. Canadian goose in the intake. Fucker came out the other end pureed. Today’s forecast, scattered showers of pâté, then clear. 

So maybe he wasn’t that lucky.

Then all of a sudden there was a bang and he was departing, the stick a wild thing in his fist, sky and New Jersey flip flopping.

Jesus, he was all over the firmament. The ground pounders were screaming in his ear for him to hit the silk.

No way!

 He had never returned a plane to the taxpayers in his life.

And then he took an extra-long blink. Too long. G-forces were pulping him, mashing his face against the canopy like a high school bully. He didn’t know where he was.

The Air Boss was yelling at him to punch out.

Focus on that yellow D-ring on the side of the seat next to his leg. He strained, grasping for it. No time for the face curtain. The altimeter was spinning, alarm klaxons blaring needlessly, like a shrill old lady in the backseat screaming for him to look out for the Mack truck about to hit him head on.

He felt the D-ring, rather than saw his fingers close on it, pulled for all his life.

The canopy popped, wind blast roaring.

Catapult rockets fired.

He felt a sudden catastrophic lurch and thought the ACES II seat had hung up somehow. There was a horrible pain in his legs, but then he was jerked violently free, spinning wildly in the open air, 12 G’s pinning him back to the seat, wrenching his neck, his fun meter pegged.

The chute cracked open and he jerked again.

His sickening tilt-a-whirl spin slowed to a carnival revolution, an, easy panoramic view of the Jersey shore and the suburban roofs with their blue swimming pools, and the nearby green of the woodlands. There went the chemtrail of his doomed bird streaking into the ocean like a shearwater diving for anchovies.

Then he had seat separation.

He was descending too fast though. The drogue chute wasn’t doing its job.

Why?

Shamrock managed to lock and center his spinning irises and looked down.

What he saw was not possible.

There was a man clinging to his legs.

It was a big motherfucker in a weird metal mask and ragged dark clothes. He was hugging Shamrock’s dangling legs, squeezing his knees, his lower half whipping about in the open space.

He was staring up at Shamrock through the flat, vented horizontal slits of the mask, chain mesh dangling over his lower face, strands of wispy hair whipping about his bald and badly scarred head.

He should have been a bag of broken bones. His lungs should have been dangling inside out from both nostrils. How the hell had he gotten here? He couldn’t have been outside the plane.

That weird, sluggish feeling when he took off…

But that wasn’t possible! The strength it would take a man….it was incomprehensible!

That mask…..he had seen that mask somewhere.

Sure.

Everybody knew that mask.

One powerful hand reached up and gripped a fistful of his flightsuit.

When the PJ’s got to Shamrock in a field of Birch Grove Park out past Northfield, they found the orange and white parachute spread out like a blossom with a disconcerting blot of red across the white silk.

Pulling back the chute, they discovered Captain Cash “Shamrock” Silver in such a horrific state they thought maybe he had descended too quickly and been torn to pieces by the surrounding trees. Yet his chute was intact.

His right arm and left leg dangled loose in his blood-soaked flight suit. His torso had been split open from his breastbone to his crotch, his glistening intestines strung out behind him for a half-acre across the green field, buzzing with flies and crawling chiggers. They were hung up in the branches of the oak and pine trees, draped like garland, arrayed there as he had gently descended, spilling his insides the whole way like a crop duster dumping its payload.

The leather wrapped handle of his Ontario knife, ripped from his own tactical harness, was still lodged in his pelvis.

Hours later, when night settled, two miles away, Joshua Ian Hodder slowly emerged dripping onto the shore of Bargaintown Pond, turned north, and walked silently through the lawns of the big, well-lit houses, unconcerned with and unseen by the people inside.

It was two days unending walk to Blairstown. The sun rose and set through the trees, and the forest turned primeval black, yet he plodded relentlessly on in the blind dark, forest creatures scurrying out of his path, sensing a predator. Birds ceased their trilling at his approach. Even the insects seemed to respectfully silence their choruses until he passed.

What he followed, what drew him, he did not need to see with his eyes.

*

When Trina Usher-Cooney returned home late from her shift at the bar, her daughter Lily was sitting up at the kitchen table waiting.

“Jesus Christ, you scared the shit out of me!” she exclaimed.

Lily was sitting there with her elbows on the table and her hands clasped in front of her face, a look in her big brown eyes that told Trina she was in for it.

She was such a pretty young woman. Very light skinned, but full featured. Beautiful, pouty lips like her daddy, and a head of gorgeous, springy hair the color of deep rust.

Trina had always loved that hair. When Lily was born, Trina had taken a class on how to care for natural black hair. She learned all about how to classify (4A), moisturize, and oil it with avocado and Jamaican black castor. She used to love braiding and styling Lily’s hair.

So of course, as soon as she’d hit high school, Lily had shaved it all off. Lily had hated her own hair. She had waged war on it with relaxers since she had come home crying from a birthday party when she was nine years old because some snotty little white girl had told her she had hair like the party clown.

Trina was happy that at twenty one, Lily was finally letting it grow out again.

Of course now, Lily wouldn’t let her mother near her hair.

It had been hard for her growing up. Hard in a mostly white school, hard with a white mother and her daddy’s surname. Hard for Trina too, without Gregory there to help raise her. They’d had such plans. A heart attack and a fall from a platform ladder on a construction site had cut them all short.

And then of course, when she’d hit seventeen, the dreams had started.

“Mom, I need to know something.”

Uh-oh.

Lily opened her hands, held up a prescription pill bottle.

“What the fuck is this shit?”

She slapped it on the table and slid it across, so that Trina had to catch it from rolling off the table.

She didn’t need to read the label to know it was Hypnodine. She’d been giving it to Lily since she was seventeen.

“I’ve been taking that stuff for years,” Lily said. “You told me I had a condition, that it helped me in school. I never even questioned it.”

“So why are you questioning it now?”

“I only get it from you. I took it to my pharmacy. The guy had no idea what it is. I looked it up online. Its FDA classification is unapproved. It’s experimental. Says it’s for the managing psychotic disorders. The doctor on the prescription label. Willow Fontana. I can’t even find her online.”

“Honey…”

“Mom!” Lily snapped, slapping her hand on the table.

Behind her, the ceramic of the potted jade, the pretty Oriental pot Gregory had bought her in New York Chinatown that one weekend, cracked down the middle, spilling dirt over the windowsill and into the sink.

Lily didn’t notice.

“I trusted you all these years,” Lily said. “But what have you been dosing me with? What is that stuff? Where do you get it?” She splayed her fingers across her forehead and leaned into her hands, closing her eyes, rubbing, as if she had a migraine. “I can’t believe I’ve been so stupid as to just take something when I didn’t know what it even was. Like they were Flintstone vitamins or something….”

Trina hung her purse from the chair across from her daughter.

“Can I sit?”

Lily didn’t look up, but the chair pushed itself away from the table.

Trina took that as a yes, and settled.

She doesn’t know what’s going on, yet, Trina thought. Here we go…

“You’ve stopped taking it.”

“I’ve been having dreams. Every night,” Lily whispered. “I never used to dream at all.”

“What kind of dreams?” Trina asked, though she knew.

“I don’t know it’s like….they don’t feel like dreams. I’m not flying or rolling a big donut with a snake in a vest…”

Trina giggled.

“They’re real,” Lily went on. “Like, real people. Sometimes people I know, sometimes not. But I somehow know they’re real.”

“And they bleed over,” Trina said, reaching out across the table, wanting to take her hands.

She still cradled her face, but one of her eyes appeared through the lattice of her fingers.

“What do you mean ‘bleed over?’”

“Into your life. They spill over. Like…a full cup of coffee leaves a ring, or splashes the table,” she went on. “You dream things and then you see them happen while you’re awake.”

“I thought it was Déjà vu,” Lily went on. “I thought….”

She let her hands fall to the table, but she still didn’t reach for Trina.

“You thought you were going crazy,” Trina finished.

“Psychotic disorders, it says. I know you take this stuff too. I’ve always known. I’ve seen it in your medicine cabinet my whole life. Not always the same doctor’s name, but the same stuff. Hypnodine. Is this like…The Electric Kool Aid Acid Test or something?”

“I don’t know what that is,” Trina said truthfully. Lily was better read than her, more pop-literate. Like Gregory had been. They used to watch the same shows and movies. Her on his lap, even though some of the stuff was too old for her, not inappropriate, just….old.  It might have ostracized her from her peer group even more. She knew more about Tina Turner than Ke$ha.

“Mom….what’s happening to me? What is that stuff? What’s wrong with me?”

“I’ve been taking it since before you were born,” Trina said. “It stops it.”

“Stops what?”

“Baby….this is gonna be hard to believe. Do you know what psychokinesis is?”

“You mean telekinesis? Sure. Like moving stuff with your mind. Like Carrie.”

“Yeah. Like Carrie.” That one, she had seen. “That’s only part of it. Of ESP. Precognition is another thing. Empathy.”

Lily smiled wryly.

“Mom. So what are you saying? We have mental powers? We’re like superheroes?”

“Would I be working nights at a bar if I was a superhero?” Trina laughed. “Do I look like a superhero?”

“But you can move stuff with your mind?”

“Not when I’m on this stuff,” Trina said, shaking the pill bottle. “But yeah. You can too.”

Lily was quiet.

“Shut up.”

“It’s true, honey.”

“I thought…I thought I was imagining stuff moving out of the corner of my eye. Then I’d turn…and it actually had moved.”

“You pulled the chair out for me just now. And look at that,” Trina said, pointing to the plant on the windowsill.

“Oh no!”  Lily gasped. “Mortimer!”

She started to get up, but Trina got up first and waved her down.

“It’s alright, I’ll get it. He was getting too big for that old pot anyway.”

Trina had forgotten they’d named the plant Mortimer, Lily and Gregory. He had rescued it from a dumpster when Lily was seven because she had said she could hear it crying for help. Even back then her power had been manifesting.

 “But Mom,” Lily said. “If this is real, why do we take this stuff? Why…why’d you make me take it?”

“You see how it is,” said Trina, setting Mortimer and the broken pot in the sink and wetting the sponge to clean the sill. “It’s hard to control. I wish I had this stuff when I was your age. Would’ve changed my life.”

“But…you never learned to control it?”

Trina stopped and stared at her reflection in the window over the kitchen sink.

“Not really. Lily….a lot of bad things came out of it.”

“What do you mean?”

“I…hurt people.”

“How? Who?”

Trina closed her eyes.

She was thirteen.

Dad drunk again, arguing with Mom. She had run out onto the dock, got out in the rowboat. He had followed, swaying unsteadily on the pier.

Honey…

Go away, Dad! I hate you!

Then the pylons had begun to shudder, the planks rippling under his feet, Dad went into the dark water….shrieking as the dock collapsed over him.

And then….years later. Dr. Cruise had taken her on leave from the Anger Institute, back to the house on Diamond Lake with her mother.

She had been standing on that same lakeshore, reaching out, down in the depths of the water, feeling something.

Someone.

That mask. That horrible steel mask. She could imagine it again. Imagine reaching out with her mind, touching that awful, murderous presence behind it. Ravenous for death, like a shark lashing its tail through a red cloud in the water. Seeing the world as Joshua saw it, through a red haze. Everything that lived a sack of blood and bones to be rapidly torn open and scattered, so it could move on to cut and tear the next.

Joshua.

Taking that rage, that force, turning it against the source, using it. That mask, twisting and bending, cracking beneath her will.

That horrible face beneath. Rotten flesh clinging to the skull, one bloodshot misplaced eye glaring with hate.

Weaponizing her entire house against him in the end. Hurling floorboards and lamps and anything she could think of to stop him.

There were tears in her eyes. She wiped at them with the heel of her hand.

For a moment, she was afraid she was staring right at that masked face once again, here at her own kitchen window.

She blinked and the mirage was gone.

“I don’t know, honey,” she managed. “I don’t know if I’m ready to tell you that stuff. Does it….scare you?”

“At first, it wasn’t so bad,” Lily said behind her. “But now…I’m having nightmares.”

“Nightmares?”

Trina half turned to look at the window.

Lily was staring at her.

“Mom….”

Lily’s mother looked exactly as she had in the nightmare. In her Alice Cooper shirt and jeans. Mortimer in the sink, dirt on the windowsill. Looking at her. And then…

The window exploded. Not just the glass, but the frame, as if a cinderblock had come crashing through.

But it was two huge arms, gloved hands grasping her mother’s shoulders.

She screamed. She was wrenched off her feet.

This was Lily’s dream. But it was happening.

It was happening right in front of her eyes!

Her mom’s heels left the linoleum and she was jerked violently over the sink. Her face struck the top of the window frame, so hard teeth went bouncing across the counter like spilled Tic Tacs. Her lower half-bent backwards. She seemed to fold in two as the arm whipped around her middle and pulled her through the shattered window, out into the dark. There was an awful crackling and her mother’s screaming rose and then dwindled.

Lily ran from the table to the kitchen door, wailing, crying.

She reached out for the doorknob with her hand, but before she crossed the kitchen, it was like something else reached out too, something intangible within her, animated by her desperation.

The heavy door tore off the hinges and flew across the kitchen table.

She ran out into the yard.

There was a tall, hulking, dark shape stooped over the twisted figure of her mother.

Something wet was happening.

Something Lily knew she didn’t want to see.

But then there was an engine roaring. Tires squealing on the street. A pair of headlights swung onto the front yard as a black van jumped the curb and ground to a stop on the lawn.

And Lily did see.

She saw the awful death of her mother.

She saw her mother’s killer.

Her nightmares had bled over.

He was halfway to seven feet tall, over two hundred pounds, broad as an ox. He was all in moldering dark clothes and a tattered Army jacket, punched with holes and slashed nearly to shreds, as if he’d crawled out of a bomb crater. His exposed skin was gnarled and burned and rotten. In some places, white bone showed through. The mask on his face was steel and leather and straps, chain mesh dangling from the jaw like some kind of Arabic warrior mask, or strange bondage attire. The big round eyeholes were covered with horizontal slats that rendered his expression alien and faceless. His exposed head was cobwebbed with the remains of wispy hair. One ear was gone. The other looked like a bit of blackened, dried fruit.

He peered at the light of the headlights while what remained of Lily’s mother dangled dripping from his gloved hands. He was grasping her head, and her jagged spinal column was half-torn from between her shoulders.

Lily gripped the sides of her head and screamed.

Something inside her burst wide open.

The windows of the house, the headlights and windshield of the van, all blew out as if she were ground zero for an explosion without light or sound.

The masked man crouched and threw up one hand, the tatters of his jacket flapping like flags in a high wind.

Then the lights were out and all was pitch darkness again.

But now a series of red beams of light lanced across the lawn. She heard a staccato of clicks like teeth coming together and the killer was lit with lightning bursts as five machineguns opened up, a line of darkly dressed men in fatigues and helmets and tactical vests advancing.

Another lamp snapped on, blinding white.

The body of the killer burst and popped wetly as whatever dark fluid that still passed through his putrescent form flecked the grass.

But he didn’t fall.

He walked swiftly and inexorably into the hail of gunfire, bullets sparking off his mask, until he was close enough to grab one of the assault rifles by the muzzle and jerk it from the shooter’s hands.

Thus armed, he waded into their midst, swinging it viciously like a club, smashing face shields and snapping bones. The bright lamp exploded. Lily saw a man in tac gear who had been holding a video camera reach for his sidearm as the camera tumbled from his hands.

The other men swarmed the killer and he weathered them like a gang of overexcited toddlers. He flung one down hard to the lawn and jammed the barrel of the broken rifle completely through his chest like a spear, in the action, emptying the magazine so the body jumped and burst and flashed on the ground.

With one hand he reached up and put his fingers completely through the translucent face shield of a man clinging desperately to his back. It spiderwebbed and flushed red with blood as he tore the face underneath completely away from the man’s skull.

The former cameraman advanced, firing his pistol.

Lily had fallen on her ass on the lawn, face wet with tears, head pounding, trying to form the word ‘mom’ but unable, as if she couldn’t bring herself to attribute that precious name to the mass of blood and broken bones lying forgotten a few feet away.

Then someone was hoisting her roughly to her feet.

It was a black man in a black suit and tie, good looking, maybe forty. He had a pistol in his hand, but he wasn’t bothering to shoot it, as if he had it out by instinct, but knew it wouldn’t do any good.

“Come on, get up!” he urged.

She was easy to lead. Her legs were rubber. He half-dragged her to the van, mostly flung her like a sack of laundry into the back, then jumped in beside her, pulled the sliding door shut.

He slapped the back of the driver’s seat.

“Go! Go! Go!”

“What about them?” A woman driver.

“They’re dead!” said the man.

“What about the camera?”

“Just go!”

The van lurched into reverse and swung out so Lily fell against the side and the man had to grab the back of the passenger seat to keep from crashing down.

The wind rushed in cold through the broken windshield, whistling as they drove down the dark street, pedal to the floor.

The interior of the van was arranged with a radio set and some high tech looking gear, a tactical gun rack with six empty spaces, an assault rifle and a shotgun. Two benches faced each other.

She leaned against one as the engine of the van roared down some straightaway, headed for God knows where.

Away.

“Did you see what she did?” The driver shouted back.

“I saw,” said the man. “Are you alright?” He said to her.

She looked at him.

“I don’t know.”

“You’re Lily Cooney?”

“How do you know that? Who are you?”

“I’m Special Agent Hiver. Dudley Hiver. We came to protect your mother. I’m sorry we were too late.”

“Protect her….from him? From…”

“Yes,” said Dudley. “Joshua Hodder.”

Lily hugged herself. She knew the name. Everybody did. It was synonymous with boogieman. But Joshua Hodder….he was dead. He’d died years ago.

“Why did this happen?” she sobbed.

“I’m sorry. Are you cold?”

He opened a locker against the wall of the van, brought out a drab blanket and put it around her shoulders. It was scratchy, utilitarian, not like the quilts her mom had made out of her old band t-shirts.

He helped her up onto the bench, into a seatbelt. He sat down beside her.

“Ms. Cooney….”

“Lily.”

“Lily. Joshua Hodder is my specialty. Usually he kills at random. No real M.O. aside from his area of operation. Even that changes. Almost a year ago though, he killed a couple, The Friedmans, at a campground in California. Far out of his usual stomping grounds. Then he killed a man named Brook Miller in a retirement community in Mesa, Arizona. Miller presided over his electrocution a couple years ago, the one time we apprehended him. Not long after, he murdered a psychiatrist named Jenny Meadows in her office up in Scarsdale, New York. She had killed him at Camp Diamond Lake in 1984. Then, two nights ago, a pilot named Silver was killed somewhere over New Jersey. That pilot dropped a bomb on Joshua outside Diamond Lake in ‘93. I was there. I saw it happen.”

“What?” Lily whispered. “That’s not true. That can’t be true.”

But she knew it was. After what she’d seen tonight, after what her mother had told her, what she’d felt, she knew it was possible. She had seen the bullets hitting his body with all the lasting effect of mosquito bites.

Dudley wasn’t about to argue. In his eyes, she could tell he knew she believed him. Somehow she could feel Dudley was telling the truth. Or at least, he believed what he was saying.

“But what about my mom?” She whimpered, her voice cracking in the end.

“Joshua attacked your mother at your family’s house on Diamond Lake twenty two years ago. Her doctor and your grandmother and fourteen other people were killed, before your mother employed her powers to kill him.”

“What?”

“I know you heard me,” said Dudley. “And I know you know what I’m talking about. You have the same powers. I saw. Listen to me. I believe Joshua is hunting down and killing all the people who have ever killed him. I don’t know why he comes back. I don’t know how. But I know he’s killing them and anyone else in his way. Like I said, I’m sorry about your mother, Lily. I know this is all crazy. A nightmare. I can take you anywhere you need to go, or at least, drop you off with enough money to get you there. But we can’t stop. Joshua’s not after you, but there are seven people out there he is after, and we’re going to try and save them. And…I know this is asking a lot. But your mother stopped Joshua once. Maybe….”

The van pulled to a stop and the driver wrenched around in the seat. She was slim and fit in her thirties, dark hair pulled back into a business-like ponytail. She looked at least part Japanese. Filipino, maybe.

“Why are you stopping?” Dudley demanded.

“Because I need to know where the fuck we’re going.”

Dudley looked at Lily.

“Lily, this is Dr. Willow Fontana.”

“Lily,” said the woman in the driver’s seat. “I’m sorry for your loss. But I need to know; are we taking you somewhere?”

Lily opened her hand. She was still clutching the bottle of Hypnodine. The bottle with Dr. Willow Fontana’s name on the prescription label. She tossed it to her.

The woman caught it, squinted at it. Looked at her.

“No,” said Lily. “I’m going with you.”

Published in: on December 28, 2023 at 12:52 pm  Leave a Comment  
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That At Which Dogs Howl

My Lovecraftian story collection That At Which Dogs Howl is now available all over the place from Raven Canticle Press.

Here are the beginning passages of the fourteen stories therein!

THE WOOD OF EPHRAIM (The mighty men of King David hunt the rebel Prince Absalom into a very peculiar forest)

2 Samuel 18:8 – For the battle was there spread over the face of all the country; and the forest devoured more people that day than the sword.

The Judean soldiers had run all day previously from Mahanaim, plunging into the wooded hill country of Gilead, where they surprised the massing forces of the rebel prince Absalom.

The fighting was bitter and terrible. The outnumbered Judean loyalists of King David drove into the heart of the wayward Israelite tribes, beguiled by the king’s son into open revolt. All day they fought a confused, bloody skirmish. By nightfall Absalom’s forces broke and scattered across the countryside.

Just what had brought about their overwhelming victory was a matter of excited debate between the ten Gibborim, David’s elite warriors who had spearheaded the attack behind General Joab.

They talked around the fire as they broke their evening bread, stuffing their bellies with old Barzillai’s kine cheese, there being no game to be found.

“We’ve the craftiness of the king to thank for this victory,” Zalmon the Ahohite mumbled as he chewed. “Had he not secretly sent his man Hushai into Absalom’s council, the old wizard Ahithophel would surely have advised the prince to run us down as we fled Jerusalem.”

“Be careful when you mention Ahithophel, idiot,” hissed Elez the Paltite, who looked up just then from rubbing balm into a cut on his forearm. “You know the wizard’s son Eliam fought for us today. I hear Ahithophel went home and hung himself because he knew what David would do to him when Absalom failed.”

“What you don’t see with your eyes, don’t say with your mouth,” Zalmon admonished, waving Elez off. “Anyway, Eliam is loyal to David. He can’t help his father was a sorcerer or a traitor.”

“It was General Joab’s might that swung the day for us,” Naharai of Beeroth gasped, having just taken his lips from a bulging wineskin. “I was at the siege of Kinsali, when the army was threatening to desert, and Joab ordered himself slung over the wall. Ten days later blood flowed under the city gate and Joab threw it open. The Amalekites thought Asmodeus was loose in their streets!”

“I’ve heard that story,” said Zalmon, shaking his head.

“No story,” Naharai insisted. “I was there.”

He raised the skin above his head.

“To Joab, a hero great enough to knock the rebels back across Jordan!”

Several raised their cups toward the general’s dark pavilion and roared their assent.

Gareb the Ithrite added, “And to we Gibborim, who played no small part!”

“To the Lord of Hosts,” said young Obed the archer solemnly.

“The Lord of Hosts!” they all agreed.

A figure stepped into the firelight. He was grim garbed and odd-eyed, with a wild, white flecked beard and a dented helm, testifying to the work he’d done that day. It was Eliam bar Ahithophel himself, the son of Prince Absalom’s old wizard.

Zalmon shot a hard look at Elez, who shrugged as if to say ‘as I told you.’

“What if,” said Eliam, in the awkward silence, “it was none of those things?”

“What do you mean?” asked Naharai.

Eliam stared into the fire.

“Did any of you…see anything strange during the battle?”

“I saw an Israelite cleaved with an axe from his beard to his balls,” said one called Hiddai, laughing.

“That’s not what I meant,” said Eliam, his dark eyes lifting from the fire to look over their heads. “Where are the stars tonight?”

Naharai and the other Gibborim craned their necks to peer with mild interest at the night sky through the camp smoke. It was a black hole, lined with the bare branches of the trees that ringed the clearing.

“What are you talking about?”

“It is very dark,” said Eliam, after a moment. “Dark as the Olam ha-Tohu, the waters of chaos that preceded the first day.”

“As you say,” said Naharai smirking.

“My father told me once that in Noah’s age men heard the whispers of the Old Ones in their dreams, and moved the great Even ha-Shetiya, the Foundation Stone with which the Lord had stoppered them up. The waters of chaos burst forth and flooded the earth, and many things that knew nothing of man were loosed.”

“The Old Ones?” Obed asked.

“Those that swam in the darkness before the light.”

“Blasphemy,” warned Joshaphat the Mishnite.

“Yes,” said Eliam quietly, turning from the fire. “But let us keep the fire burning. I’ll take first watch.”

THE LADY OF THE AMOROUS CITY (Young Arthur and his foster brother Kay, in the absence of their father Sir Ector, accompany a strange lady to a remote kingdom to deal with the monstrous Fish Knight plaguing her lands.)

Arthur withdrew, putting up his wooden sword while his elder brother Kay cursed and sucked at his throbbing knuckles.

“Yield?” he panted, jamming the dull point into the soft black earth.

He’d bested Kay three out of five times now, by his count.

Kay mumbled something around his fingers.

“What?”

“I said a rap on the fingers can hardly be counted as a hit,” Kay repeated more clearly.

“You dropped your sword!” Arthur said.

“I’ve got two hands,” he said, as he stooped to retrieve it.

“You’re going to fight me left handed?” Arthur chuckled.

“A knight should know how to fight as well with both,” said Kay. “I wouldn’t expect a squire to understand.”

Arthur bit his lip.

“Unfortunately, you do fight about as well with your left as you do your right.”

Kay lunged.

Arthur checked the blow with a loud crack that resounded across the field. He would never have dared to vet such arrogance against any opponent but his foster brother. To do so would be decidedly unseemly. This was just play. But they both knew it would be a long time before Arthur saw knighthood. He was the adopted younger son of a noble knight. Caer Gai and the honor of peerage rightly belonged first to Kay, regardless of his martial skill.

It wasn’t that Kay was a bad fighter. They were both of them hardly out of boyhood, but already Arthur was a consummate swordsman. He had won the lake tournament of squires twice in two years. A novice would call him fearless, but any man who had been at war would know he was brash. Both the sons of Sir Ector had that defect. It came of spending most of their days beating straw dummies and each other. Neither of them had been bloodied in a fight, and so they fought like young, untried lions.

The last real threat to the peace of the land overseen by Ector at the southern edge of foggy Pemble Mere had been the Romans who had left their stout castrum to tumble down long before Vortigern’s time.  The feuding of the rival kings and the Saxons raged far from here. They knew of it only from what news Ector brought home from the campaigns.

The smack of wood elicited a nervous whinny from the direction of the road, and Arthur and Kay disengaged to peer through the arch of the stone gate situated between the old earthworks which marked the boundaries of Caer Gai.

A dream of maidenhood drifted up the lane through the rolling mists that spilled across the valley off Pemble Mere.  She was Arthur’s age, and wore her stark, white-blonde hair unbound. Her marble skin was blemished with the cold, her long neck, encircled by a green knit muffler against the chill air, plunged into a tangle of pine colored fabric which attended her slight form. She rode a smooth-gaited white palfrey, its black mane braided with silver bells that tinkled as she came.

“Is this Caer Gai?” she called to them in a clear voice as she neared the gate. “The home of Sir Ector?”

She was not a classic beauty. She was too thin, and her oil black eyes were overlarge and bugged a bit in her narrow face. The slope of her nose was a bit too dramatic. Yet Arthur found attraction in her strangeness.

“It is,” answered Kay, stepping in front of Arthur. “I am his son, Sir Kay.”

Arthur rankled at the lie. Kay had not earned his accolade nor sworn his oath yet. He was only a few years older than Arthur.

“I am Harddwch heb Drwg, daughter of Count Valsin,” she said, tossing back her hair, “and the Lady of the Amorous City. I have come to ask the aide of your father, Sir Ector.”

Arthur glanced at Kay, and was relieved to see the brute had no more idea who she was than he did.

Nevertheless, Kay ploughed along, fists planted on his wide belt impressively, though Arthur knew it was to hide his bloody knuckles.

“My father is away, campaigning with King Bernant against the Saxons,” said Kay. “In his absence, I am lord of Caer Gai. How may I be of assistance?”

Harddwch looked dubiously from Kay to Arthur, and Arthur became keenly aware of the state of his own appearance. In the absence of their father and with no one but an elderly maid to order them bootlessly to their chores and ablutions, the two of them had been mucking about all day, riding and fighting. They were mud splashed, and Kay’s torn tunic was anything but regal.

“I came seeking a champion of Uther’s table, not a boy.”

“King Uther’s day is passed, my lady,” Kay said impressively. “What need have you of a champion?”

“My city is besieged by a monster.”

Arthur said nothing. A monster? Monsters were bodachs and redcaps, changelings and will ‘o wisps; stories to keep children in line, not anything to be spoken of seriously in the light of God’s day.

“A what?” Kay said, smirking, decidedly less diplomatic.

“My father told me that the knights of Uther fought dragons and giants. Was your father the exception?”

“Oh yes, he won all this from a giant,” Kay said, sweeping the land with the point of his wooden sword. “He used to tell us all about it…at bedtime.”

“There are monsters,” the girl said sharply. “I have seen them. I have seen drawn out specters all aglow, swept along like leaves in a current on the shrieking Helm Wind. I have heard them, clicking claws in the blackness beneath the shrubs along these benighted roads. I have felt them, scraping at the bottoms of boats on the lakes. And among all I have seen and heard, he is a monster to be remembered.”

“Who?” Arthur asked.

“Marchog Psygod, the Fish Knight.  He rose from the bottom of Blencarn Lake, where many a worm has been content to wage secret wars in the murky depths against sightless enemies. Maybe he looked up and caught a glimpse of the moon and was tantalized, or maybe Joseph of Arimathea sunk a devil into Blencarn and it wove a vehicle of fish carcasses together for his black soul to ride out onto the lands and do evil. Whatever he is, Marchog Pysgod roams the countryside, and leaves the corpses of men, women, and children in the slime of his wake from Mallerstang to the Eden Valley, even in the sight of the Amorous City. Sixty knights have faced him and sixty knights he has laid low.”

BROWN JENKIN’S RECKONING (The cats of Arkham convene in Ulthar to deal with the problem of the dead witch Keziah Mason’s troublesome familiar and its army of vermin.)

As some men dream of Dylath-Leen and the marble walls of lost Sarnath, all cats dream of Ulthar, the little cobblestone village on the winding River Skai where no cat may be harmed.

The dreaming cats of Arkham met in Ulthar at the old temple on the hill, in the little stone amphitheater-shrine whose top tier was arranged with graven images of the Elder Gods of Earth. The clowder seated itself before the greening brass statues of their patrons, Uldar, and the cat-headed goddess Bast, to discuss the depradations of the rats of Arkham, which had, for unknown reasons, intensified as of late. 

The old priest Atal filled the stone bowls of the twelve respected master cats of the ninth incarnation with cream.

One of the housecats, a regal Maine coon spoke;

 “The rats are on the offensive. Many new holes gnawed in the homes of man, particularly in French Hill. Food stolen. There are even little bites on the limbs of the sleeping children.”

Children sometimes wandered into the Dreamlands in their carefree slumber, and it was the duty of cats to guide them out again, to keep them safe from the various minions of the Outer God Nyarlathotep, who would steal them for vile ends. This oath of child-herding extended into the waking world.  It was a matter quite serious to the cats, particularly those fortunate to have human homes.

“Why are the mousers not curbing this behavior?” demanded a haughty, fat orange housecat.

“If it is the rats doing these things,” said one of the alley cats, a mangy tabby of the fifth generation, “then they are moving by avenues we cannot tell. The humans have not been idle. They’ve been blowing poison down into the rat nests for weeks. Most of the warrens have emptied into the hills west of town.”

“It’s not a rat,” said a voice from the shoulder of the statue of Bast. “Though I’d be amazed if any fat bellied housecat could hear a rat lapping from his milk bowl in the kitchen over the sound of their own complacent purring.”

A rough looking tomcat, nip-eared, broad shouldered, the color of pipe smoke with white socks, jumped down from his high perch on the statue and went to the center of the shrine. He bore some limp, bleeding shape in his teeth, which he deposited on the floor for all to see.

It was a rat, and it had been subjected to such tortures as only a half-feral alley cat can devise.  The tomcat laid one paw on its back.

This tomcat was notorious across the neighborhoods of Arkham as a scrapper and a night yowler, a scavenging rover who had sired kittens as far away as Innsmouth.  He was also grudgingly recognized as the best mouser in the Miskatonic Valley.

Yet he was also a master of the ninth incarnation, the only one among the alley cats. Only a master could drag the dream avatar of another creature all the way to Ulthar. By their ninth and final incarnation, most cats, having lived several lifetimes of adventures, were content to settle into extended retirement like pampered mandarins, safely exploring their future Dreamland abode from the comfort of some warm human house where they could safely sleep all day, undisturbed in a forgotten hutch.

Not so, this tomcat. His behavior befuddled the other masters, for he had not attended a clowder in the Dreamlands in recent memory. In the waking world, he slashed the knuckles of hands that sought to stroke him, and pissed on proffered bedding. He would rather lie dead in a road than on his back in a soft lap. No one knew where he slept.

Beneath his paw, the mangled rat twitched. The cats licked their chops at its squeal, tasting fear.

“Tell them,” the tomcat hissed.

“Brown Jenkin!” squeaked the rat.

The cats stirred uneasily. The reputation of the creature called Brown Jenkin, the prowling monster rat with the heads and hands of a man, vile familiar to the witch Keziah Mason, servant of the Outer Dark, was well known. Keziah and Brown Jenkin, fugitives of the Salem trials, had haunted Arkham from the upper rooms of the Stinking House on the corner of Pickman and Parsonage for three hundred years, stealing out in the dead of night to snatch children to bleed on the altars of the Old Ones.

“The witch is dead, and her pet with her,” said the Maine coon dismissively. 

This was true. The violet witch light had not been seen in the upper windows of the Stinking House for many months. Even the old landlord had at last abandoned it.

“You’re wrong,” wheezed the rat, sounding slightly pleased, even in his pathetic state, to know more than the cats. “Brown Jenkin lives!”

“Tell them the rest,” urged the tomcat, spreading his claws.

“The witch is dead,” croaked the rat miserably. “But our master sustains himself with the blood of children, and through the sacrifice of we faithful.”

“One of a mischief that lives in the walls of the Stinking House,” explained the tomcat. “Fanatics who worship Brown Jenkin as a god. What is your master preparing to do now?”

But the rat would not answer, for all the tom’s persistent cruelty.

At last it cried out in hoarse agony;

“The Crawling Chaos comes! Ia! Ia…!”

The tomcat nipped the base of the rat’s skull. Its blasphemous hosanna died in its throat.

THAT AT WHICH DOGS HOWL (Lovecraft’s Whisperer In Darkness retold from a different point of view)

Sargent and Spitz rode up front with the old man and his rifle all the way from Brattleboro, saying not a word to us, but when the car halted, Sargent turned and barked;

“On the ground, recruits! Keep it orderly!”

The old man and his guards got out, stepped around, and opened the door.

The first thing I noticed when I jumped down was the smell. Underneath the clean mountaintop air, underneath the late summer grass and the pine forest, there was blood. But under even that, something elusive and foul; fouler even than the musk and piss heavy cells at Brattleboro, something that raised my hackles and niggled at me. I couldn’t quite place it, but it was familiar.

The place reminded me of the farm where I’d grown up, but for all the trees adjoining the rear of the property’s generous lawn, there was no chirruping of nesting birds or squirrel chatter. No mice occupied the sheds, and though there was the smell of a cow pen somewhere near the windmill in the back, no sound of cattle.

The old man, flanked by his alert guards, wasted no time in leading us to our new accommodations.

We passed the path lined with stone boulders up to the big white house, and proceeded around back in a line.

We were not, it seemed, to be put up in the house. That was fine by me, but one of the other recruits, a shiftless old gray hair who had hoarded his rations and shat almost where he lay, Bâtard, immediately began to whine;

“He’s not going to have us sleep out in the cold, is he? That house looks too big for just one man.”

“Just be happy with whatever we get,” counseled one of the others, a rusty haired female who went by Sam.  “If nothing else, at least the food’ll be better.”

“Quiet back there!” Sargent growled.

For my part, I preferred the sky to a roof, and grass beneath my feet to cold tiles or an ill-smelling carpet. My father had taught me an open door was better than a locked one, and no door at all best of all.

The old man was harried looking, gray bearded, but, I sensed, of a kindly disposition. The whole time he led, he clutched his rifle at the ready and looked fitfully to the tree covered hills behind the property, as if expecting assault from that quarter at any moment. Sunset was underway. I saw no movement in the forest but the shifting light from the trees, no danger in their stretching shadows sliding over the brown lawn.

“What’s he need so many of us for anyway?”  Bâtard whispered, despite Sargent’s warning. “I don’t like it.”

The old man had become a familiar face at Brattleboro, returning weekly at first, then almost daily to requisition new inmates for his unknown cause. The lady at the desk had remarked when he’d signed them out that they could hardly keep the cells filled to meet his demand.

Köter, the nervous German in the cell next to mine, who had departed with the old man a few days ago, had told me he had the look of a doctor to him, and he shouldn’t doubt that the old man was looking for subjects for medical experimentation, an unfortunate practice he had been subjected to himself in the past.

But the old man didn’t strike me as clinical. Doctors, in my experience, washed themselves regularly. The old man had not bathed for several days, nor changed his clothes. There was fear all over him, emanating from in his pores. Though I had not yet been bound to him by the Pact, I nonetheless felt an overwhelming wave of protectiveness towards him.

My mother had taught me the Law of course from an early age. She had told me that it was devout adherence to the Pact which had made my father a decorated war hero, and rewarded us with the idyllic life into which I had been born. My parents had always encouraged me to nurture my sense of duty, gratitude, and loyalty, and to live a life of usefulness.

The old man had taken me from the white, bleach-reeking purgatory of Brattleboro. That was good enough for me. I did not really believe he meant to intentionally abuse us. I was willing to render whatever service he did require, but I did wonder what had become of Köter and the numerous others he had liberated.

Retrograde to Köter’s doom heavy speculations, the boundlessly optimistic youth we called Skippy, ever existing solely in the present moment and even now fairly bouncing at my heels, eager for whatever was ahead and probably only dimly aware now of his previous incarceration at Brattleboro, suggested that the old man was simply a charitable fellow who would turn us loose in the countryside to do as we please. He had stared wide-eyed out the window the entire ride, pointing out the sights and declaring repeatedly to us with simpleminded assurance that everything was going to be fine.

I suspected the truth lay somewhere between the two extremes.

IT CAME TO MODESTO (A 50’s drag racer survives a spectacular wreck thanks to the intervention of an oddball doctor and his alluring daughter.)

“I never see you around after school.”

“I work late at my dad’s garage. I get off early on Saturday though. Wanna see me then? Maybe catch a flick at the State?”

Georgie Calato saw the punch coming in the reflection of the big glass window of Burge’s.

Debbie Lomax had put down her copy of Look and giggled to her two friends as they smiled around their milkshake straws at his approach, which was the sign that had emboldened him to ask her out.

Debbie was in his biology class. Even though he was a new kid, she’d been easy with the smiles for him. She was a beauty, long necked and blonde, with big doe brown eyes and creamy skin that flashed between the hem of her poodle skirt and the cuffs of her pink bobby socks, and on the slender, hairless arms that slipped out from under her angora sweater.

Georgie took the punch on his shoulder. It was a glance, but it stung, coming from a guy like Jimmy Lucas, wide receiver for the Downey football team.

Jimmy and his cronies, that asthmatic toady of a towel boy Babe Wilkes and the big shouldered tackle, Dombrowski, had formed a semi-circle around him and the girls, blocking the way to the parking lot, looking like a gang in their blue and silver Knights jackets.

Jimmy had one of those pasty faces you could see the blood move through. His cheeks were flushed like somebody had slapped him.

“I told you not to talk to my girl, paisano,” Jimmy snarled.

That was only partly true. Georgie wasn’t really a paisano. There was no Indian in him that he knew of, though his mom had been part Mexican and his dad was Italian. But Jimmy had slammed him against a locker after gym and told him plainly to keep his garlicky hands off his girl.

“We were just talking, Jimmy,” Debbie said, annoyed.

“Yeah well now you can say goodbye,” said Jimmy.

“Cool out, man,” Georgie warned.

“Or what?”

“Big tough guy when you got your friends with you,” Georgie muttered.

“Least I got friends, Pancho.”

“You got a car?”

“Yeah I got a car,” Jimmy said, folding his big arms. “So what? You writin’ a book?”

Georgie knew Jimmy had a car. He had seen it in his dad’s shop when it had come in for an oil change. A spanking new Studebaker Golden Hawk, cherry red with white fins and a big 352 bent eight under the hood.

“Cut the gas, man. What do I gotta do, spell it out for you?” Georgie said coolly.

“This feeb wants to race!” Babe exclaimed, smacking his gum like a tough guy in a gangster movie.

“What d’you got, greaser? Your grandma’s old Plymouth or something?”

“That’s my car,” Georgie said, pointing over Dombrowski’s shoulder to the silver Rambler Rebel with the copper stripe, catching and smearing the pink neon glow of the Burge’s sign in the parking lot.

Again, this was only partly true. The car had been left at his dad’s shop by a guy who had skipped town. Georgie’s dad had kept the thing covered in the back parking lot in case the guy showed up, but it had been a week and a half. Georgie had started taking the car out for a spin late at night. He hadn’t bugged his dad yet about claiming it. A four door, it didn’t look like much compared to Jimmy’s Golden Hawk, but it was still a beauty. 327 V-8 engine, Holley 4 Barrel, stainless steel dual exhaust (he had flipped the mufflers backwards himself for an extra kick), it had 6-ply Goodyears that cornered like nobody’s business. He’d got it up to a hundred and thirty out on Route 99.

He was pretty confident that despite the smaller engine, he could beat Jimmy’s Golden Hawk. His car, fast as it was, was as-is. Jimmy was a cruiser, not one of these motor heads that raced out at Laguna Seca. He didn’t even change the oil himself. The car was probably a birthday present from his daddy, who owned a chain of shoe stores in the valley, chosen for the look, not what was in the guts.

Like most things in Modesto.

SNEAK PREVIEW (A shlock mogul hires a blacklisted avant garde director to film a revolutionary horror movie)

Billy Schloss needed a blockbuster.

Thirteen years he had been at Liberty Pictures, and forty films later he was still a B-movie producer, a B-movie director. He’d been working since he was twelve years old, fighting tooth and nail to eke out a living in the picture business. Every day of his life had been a fight.

He had earned a big house, a pretty wife, a couple nice cars in the garage, and his name over the credits, but those sons of bitches in Variety still called him a hack, and the honchos at Liberty passed him over for the Oscar-caliber work.

After years of running for donuts, girls, and smokes, he had finally got his start churning out cheap and fast potboilers, one reel oaters, and jungle serials, and had gotten a reputation for bringing in the goods fast and under budget.  He’d really carved out a name for himself in the shock-horror business, doing crazy, schlocky monster pictures on the cheap for big returns. Of course, matinee drek wasn’t enough to really make a name. He’d taken a page from P.T. Barnum and added a lot of sideshow shenanigans to the admitted crap he put out.  He’d thought up gimmicks to get the audience interested, everything from running ghosts on wires over their heads (till the goddamned kids had caught on to it and started pitching their Abba-Zabas at the thing and trying to yank it down), to passing out life insurance policies to ticketholders and hiring plants in the theaters to scream, feign spells, and get carried out.

His crowning achievement though, had been Scream For Your Life, filmed in ‘Perceive-o.’  He’d gotten a hold of a lot of Army surplus buzzers and paid theater owners to let his boys wire them under every third or fourth seat in the joint. The movie was about some creepy crawly thing that attached itself to your backbone, and could only be killed by sonic waves.  At a certain point in the picture, Victor Priest, the actor, turned to the audience and warned them that the creature was loose in the theater. At that point the projectionist would throw a switch and set the buzzers off, getting the popcorn flying and the ladies shrieking. It was a gasser, and though it had added two hundred fifty large to the budget, the picture had raked in the dough.

He put his name right out in front on these things, and went personally to the little Podunk towns to give the audiences a thrill, make each one feel like a Hollywood premiere for a day. It was exhausting, but it had kept him working, kept him in the public eye, parked butts in seats.

But Jesus Christ, it was 1959 and trouble was coming.

The respected limey director Abner Heathcliff had sniffed out the dough he was making, and bought up the rights to Bobby Cube’s lurid bestseller ‘Schizo,’ about some lunatic transvestite who went around murdering broads with a butcher knife while wearing his old mother’s clothing.  He had started preproduction work on his own version, tentatively titled ‘Screwy,’ but his heart hadn’t been in it.

He didn’t want to be known as the poor man’s Abner Heathcliff.

He wanted to break out of the old mold. He wanted something that as an orphan kid running out to grab coffee for every schlub in a canvas chair with his name on the back he never thought he’d want.

He wanted respect, goddammit.

No more rubber chicken sideshow carnie bullshit.

He wanted to black suit and tie it. He wanted to hold one of those little golden statues and read his name across the base. 

And since Liberty wasn’t gonna give him A-list material, by God, he’d decided to go out and do it himself.

So he’d mortgaged his big house and sold off some of his cars, all to personally fund this latest gimmick picture, with an eye towards using the proceeds to bankroll a real deal f-i-l-m next.

He had a property in mind, a book somebody had tipped him to, The Veterans, about a couple of bosom war buddies who come home from an overseas hospital after getting blasted by a Nazi artillery strike and struggle to adjust to civilian life. In the end, it turns out one of them was a ghost the whole time. It was a helluva story, a real tearjerker, yet still in the supernatural vein people had come to expect from him, so it wouldn’t entirely isolate the rubes that loved him. He’d bought the rights a year ago while it was still a manuscript. It was due to hit the shelves next weekend, and he was confident everybody was gonna be clamoring to make the thing.

Boy would Harvey Cohen at Liberty be sore when he figured out Billy had bought the thing up right out from under his nose!

But first things first, this latest picture had to be a hit. His biggest hit.

He was taking an awful gamble on it.

He had hired this German director, Kurdt Knock, one of best of the old-time expressionist guys who had been huge in the silent era and the early talkie years, a critical darling. He had gone missing for about twenty five years, resurfacing in the States just in time to get blacklisted for his weirdo religious beliefs.  Knock must have been making his pictures when he was eleven, because he didn’t look much older than sixty. He was an oddball Kraut, with a shock of silver hair, and looked like an aging beatnik in his black turtleneck and sunglasses. He claimed to be part of a witch coven or something.  Knock had come to him beret in hand looking for work, and the witch angle had appealed to Billy right away. Who wouldn’t come to see a Billy Schloss monster picture directed by a legendary filmmaker who claimed to be a witch?

THE CRAWLIN’ CHAOS BLUES (Two bluesmen head to crossroads to find their fortune and call up something worse than the Devil).

For Chester – this is where the soul of man never dies.

‘It’s like a spirit from some dark valley, something that sprung up from the ocean–like Lucifer is on the Earth…’ – Howlin’ Wolf, 1968.

Don’t nobody remember King Yeller. The Delta folks don’t like to talk ‘bout him like they do Muddy or BB or Robert Johnson, though I ‘spect he was as good as them if not better. I don’t know no white folks ever heard of him. They ain’t a page on him in all the blues books ever written.

I ‘spect I’m the only one alive knows why.

I met him in sixty-four in Chicago. In them days, the draft was in full swing, and I didn’t see no way out of it, so I figured I’d do some drivin’ around before Uncle Sam come callin’.

I’d always wanted to hear that ‘lectric blues played, so I filled up the tank of my daddy’s ’52 Catalina, bought me a sack of ta-males and a jar of moon off my cousin, and drove up there from Quito, Mississippi. I got to Maxwell Street on a Saturday when the Jew Town market was open. The sidewalk buskers and the gutbucket players paid the shop owners out they tips to run ex-tension chords from the shops to they amps, and you could hear that ragged, powered sound goin’ all up and down the market like a rattletrap Ford with a cryin’ drunk at the wheel, crashin’ into the songs of the Gospel singers, street hustlers, and the yellin’ of the rummage sellers. A lady drummer let me blow my harp with her and her husband for pocket money. She told me ‘bout a place called Silvio’s on Lake and Kedzie where Howlin’ Wolf played on the weekends. I went over there to see him.

I seent King Yeller when I pulled up. He was a little younger than me, skinny, high yeller, and red headed; a sharp dresser. A more troublesome lookin’ nigger you never did see. Had shifty, light-colored eyes and a way of talkin’ out the side of his mouth.

When I first seent him, he was leanin’ on a beer sign watchin’ that Lake Street L clackin’ overhead, one bent Kool stuck in his lips, beatin’ out I Ain’t Superstitious as best he could on a rusty ol’ National with a pocket knife for a slide.

“What we got here?” he said, when I come up on the curb.

I figured he meant to hustle me and I wasn’t ‘bout to have it. “You got Harpoon Elkins here,” I said.

“Harpoon,” he grinned, trying my name out. It wasn’t my Christian name sure, but I didn’t wanna go throwin’ that ‘round Chicago anyhow. “See you got Mississippi tags,” he said, noddin’ to my car.

“Tha’s right,” I said. “You up from the Delta?”

“Quito,” I said.

“Man, I ain’t never heard of no Quinto.”

“Quito. What that got to do with me?”

“Ease up now, blood,” he said. I seent he had that pocket knife still between his bowin’ fingers.

“Sound better you used a bottleneck,” I said.

“My uncle taught me with a knife. You play the slide?” he asked, slappin’ his guitar.

“Naw. I blow a little harp.”

“Who don’t?” he held out his hand. “Name’s King. No relation to Martin Luther. Yeller’s what they call me. King Yeller.”

FIVE TO ONE (A draft riot on the Miskatonic University campus in the 1960’s diverts attention from an even more dangerous threat)

The jeep squealed to a stop at the south end of the Miskatonic University campus, just ahead of the National Guardsmen of Battery B of the 101st Field Artilley.

Lt. John Iwanicki watched the column of inky smoke rising from the west half of the quad.

He had done all he could to get away from Arkham, from a drunken, brutal father. Now here he was, back again, about to march on his old alma matter.

Iwanicki shaved twelve men off to hold back the pressing crowd gathered there so the rest of the men could pass through. It was a mix of camera-faced press and rubberneckers, with some campus administrators and students.

Past the dormitories and athletic fields the campus dipped into a grassy, tree-lined depression in which Armitage Commons was centrally located, with the administration building and lecture halls to the north, and various specialty buildings clustered all around. Down the hill, across the quad and to the west, the brick ROTC building was awash in streaming flame. The crowd of students held back a respective distance around the old bronze statue of Professor Armitage. A team of Arkham firefighters were bustling about their engine, attacking the fire with a deluge cannon to little effect.

“Goddammit, the little shits used napalm,” Sgt. Pasternack said, snorting the air. “I can smell it. Don’t those dumbass yokels know water ain’t gonna put it out?”

Pasternack was a veteran of Korea who’d done two tours in Vietnam and then entered the Guard when a leg wound had kept him from re-upping for active duty again. He spent all his off time cussing at the rec room television. When the priests who had marched into the draft office in Catonsville and burned all the draft cards had been on the news last May, the MP’s had had to stop him from taking his .45 to the TV. He was a crew-cut John Wayne type, only a few outbursts shy of a Section 8.

Despite his leg, Pasternack scooped up his M1 and vaulted out of the jeep before it had completely stopped. He tucked the strap of his campaign hat under his boxy jaw and barked for the men to form up, pointing to the burning outbuilding and the multicolored cluster of young protestors. Orders were to make a buffer between the students and the firefighters.

Captain Bishop had issued twenty M-79 grenade launchers, and Iwanicki noticed Sgt. Pasternack pulling the men carrying those aside and forming a separate column to the right with a few riflemen.

He got out of the jeep and went over.

“What’s this, Sergeant?” he demanded.

“Just getting a jump on the secondary objective, El-tee,” he said.

“What secondary objective?”

THE BOONIEMAN (A forward firebase in Vietnam bears witness to the furious vengeance of a Tcho Tcho shaman)

Firebase William stood on a bare hill shorn clean of the emerald jungle that covered the remote Chư Prông District.

Five years ago in ’66, Sikorsky CH-54’s had played the barbers with ten thousand pound daisy cutters. Buzzing Chinooks had dropped in the men, trenchers, and bulldozers that had finished the job, adorning the hill with a ring of sandbags, berms, and barbed wire. The whole shebang had been capped off with six 105mm Howitzers arranged in the standard star pattern, one in the center to fire illumination rounds during night attacks, five at the points.

Designed as a temporary fire support base for special missions near and occasionally over the Cambodian border, William had for some reason remained when its garrison had changed from marines to Army special forces.  Now it was home to an element of the Army of the Republic of Vietnam, or would be, once the A-Team of American MACV-SOG advisors officially turned the place over to Captain Dat Quách next month.

Lt. Jatczak wondered how long the ARVN would hold out before the North Vietnamese Army overran William. Nixon was pulling the plug on Vietnam, and the NVA was wondering how committed the US was to withdrawal. They’d been dropping sporadic, harassing mortar fire on William for the past two weeks, nothing serious, just trying to goad their jumpy southern cousins into expending the precious ammunition Major Dyer was writing off as field lost.

The major had been at William longer than anybody. He claimed to have suggested the name of the place to the original CO, after his uncle, who’d been a geologist and explorer. Nobody knew if it was Bravo Sierra or not. Dyer had served with the 1st Marines in Korea, and done five combat tours in ‘Nam, two as an Airborne Ranger, and three in the 10th Special Forces Group attached to various units, including a stint in the A Shau valley. He looked it too, with his odd, shock white beard crisscrossed by wandering  scars like old wagon trails, and eyes that looked as if they’d never found anything funny ever.  He was a real boonie rat, and didn’t bullshit.

BLACK TALLOW (A book translator aides a wealthy ritualist in deciphering a book that will grant the reader whatever he most desires)

I hadn’t physically seen my old university roommate Paul Woodson in more than a decade, not since a few years after graduation when our lives really started to radically diverge. His became a rocketing climb that culminated in his establishment as the grand high financial wizard of a Fortune 500 multinational, whereas mine nosedived in a steady, occasionally desperate and perennial flounder that has left me what I always was, a translator of antique books, respected in circles much, much smaller than his, but nowhere near as successful financially.

We kept in touch, of course, over the years, mainly via e-mails and the occasional phone call, perhaps mostly because of my extensive contacts in the rare book field, a subject which has never ceased its fascination for Paul.

That’s because he believes everything he has achieved has been thanks to the practice of magic.

That was how we met, as furtive, over-serious young initiates, dabbling in Tarot cards and the intricacies of the Goetia, pretentiously spelling magic with a ‘k.’ We pored over the writings of John Dee, Simon Magus, and Eibon, and the three A’s of our higher education were Abramelin, Al-Hazred, and Alistair Crowley.

Yet when I, in my senior year, finally pronounced the whole business utter bullshit, and argued with Paul that no man can hope to harness and steer the chaotic winds of the universe by engaging in embarrassing tantric orgies and messy black chicken assassinations, Paul merely refrained from countering me, and continued on his path.

Time may judge which of us was correct.

ANAPARAGOGI (Hell week at Miskatonic University’s rowdiest and most prestigious frat involves more than a young pledge ever expected).

It was the end of the best week Wiz would never want to experience again. No girlfriends, no cellphones, no lifelines.

Hell Week at Miskatonic University.

He had spent the past fifteen weeks enduring the most grueling hazing the ultra-exclusive Delta Gamma Alpha fraternity had to offer, everything from licking the accrued bar funk from the soles of Brother Pigpen’s topsiders to bows and toes over bottle caps while Brother Ahab basted him with stinging habanero sauce.

Yet he had persevered, diligently hunting down the autographs of all eighty active brothers in his ratty signature notebook, joining his fellow pledges hurrying up and down the stairs of the frat castle in his underwear and an oversized papier-mâché seahorse cowl with a sloshing five gallon water jug of Natty Lite strapped in a baby carrier to the calls of ‘Beer Boy! Beer Boy!’, and submitted to a paddling at the hands of the apt-named Brother Spank so bone shuddering he felt sure his grandfather had felt it in his grave.

Nothing had prepared him or his pledge class for the dire tribulations of Hell Week, the seventh inning stretch before the claiming the brass ring of initiation. He had slept perhaps  six hours in the past seven days. The actives allowed them no respite. They were ordered to stand in the TV room holding a couch over their heads through the entirety of Titanic. Blindfolded with used toilet paper, they were goaded stumbling down a Slip ‘N Slide that began the trial coated with expired guacamole and was greased with their own vomit by its end. Air horns and bullhorns constituted their morning alarm.  ‘Morning’ was ill-defined, as it could be anytime between midnight and day, somehow always at the very outset of fitful REM sleep.

Much of what they endured, he knew, was technically illegal in the State of Massachusetts, and apparently unheard of in fraternities north of the Mason-Dixon line, but the Delta Gammas, the first and most prestigious Greek society to plant its chapter flag at Miskatonic, had deep south origins and accompanying sadistic traditions.  The tantalizing rush party, the socials with the smoking hot sorostitutes of the Zeta Zeta Zeta sisterhood, the various impromptu bottomless keggers, had caught Wiz up in an exciting whirlwind of beer, sex, and coke bumps. 

The actives promised him a college experience like no other, acceptance in an elite, sacred brotherhood that would mark him forever apart from lesser men till the end of his days.  The alumni of Delta Gamma Alpha were men of respect and legend; medical and scientific wunderkinder, affluent lords of international commerce. Their name plaques adorned not only the fraternity house, but several foundation stones on campus and about Arkham, even a landmark on the National Mall. Despite the whiny platitudes of the misanthropic, lib-art-leg-up GDI’s and the patchouli smelling SJW hippies about campus, such privilege didn’t come without blood and sweat. It had to be earned. Not even legacy pledges were guaranteed a spot in the house. The clay must be fired, the wheat separated from the chaff, the effigy hewn from the marble block. Pledges were put through their paces with militaristic intensity, forging at the end a more sacred bond than any of the lesser societies on campus could boast. 

THE THEOPHANY OF NYX (Earth’s first lunar colony slides into a crack in the moon and a pervading darkness settles on the earth’s atmosphere…)

Everyone remembered exactly where they were the day the moon cracked open and Selene slid inside. It was like 9/11, or Challenger, or as the elderly said, the day President Kennedy was shot.

The establishment of the lunar colony had been the biggest event in the past hundred years. It had taken a decade to excavate and build, and every waxing night all of mankind looked up to watch the construction progress, growing slowly but steadily like a little gray spider web on the far south end. People talked about how it was before there was a mark on the moon. They showed their children pictures, because the little ones didn’t believe it.

The waiting list for resettlement had begun months before the project was even officially announced. Hundreds of hopefuls died on that list without ever seeing it completed.

They were the lucky ones.

THE ALLCLEAR (In the far future a colony of subterranean dwelling humans send their annual volunteer to the surface of the earth to scout its wasted environs only to have the previous years’ scout unexpectedly return).

Two hundred and fifty six Scouts had come and gone since the Pox Eclipse, when the enemies of Usgov walked the Path O’Jen and brought the Bleeding Cough, and Potus of Usgov and the Joint Chiefs of the Staff called the sky bullets and planted the holy mushrooms to try and burn the sickness from the Upper World. But the mushrooms turned the enemy into Ray Dio, and the Upper World became the Hellabove.

Baxter, the last of the Scions of Tist, had led the people down to the bunker, to Greenbriar, two thousand all told, and they’d buttoned up and waited there in the gray steel rooms eating cans and sleeping through the endless horrors of the New Clear Winter, the riots of the idiot blind and the raids of the gutmunchers and all the ones burned by Ray Dio.

But Baxter had prepared. He’d known the cans and the jugs would run out one day, so he’d taught the gardeners the sacred ways of the Hydraponix and Ree-Sigh-Clean, and he gave the people a way to live without killing.

Then Baxter had burned the books and papers, and smashed the old idols of Teevee and Ray Dio, them whose worship he said had brought about the Pox Eclipse as much as anybody, and he taught them the Ways, and appointed Alberta first Scout.

The Scout was the offering to the Hellabove.  Baxter knew that it was in the nature of man to be discontent even with the paradise of Greenbriar; that eventually they’d unbutton and go see the Upper World, to try and find Potus of Usgov.

The Hellabove, Baxter said, was a place of fire and cold and Ray Dio’s sickness and black darkness. It was not a place a man could go and return from, at least not until the Allclear day came, that prophesied time when the ash clouds blew away and the snow melted and the poison of Ray Dio was no longer active. Only then could they venture out and reunite with Potus of Usgov.

Pick it up here!
https://www.amazon.com/That-Which-Dogs-Howl-Lovecraftian-ebook/dp/B0CJYMH7Z5/ref=sr_1_1?qid=1698616134&refinements=p_27%3AEdward+M.+Erdelac&s=digital-text&sr=1-1

Published in: on October 29, 2023 at 2:44 pm  Leave a Comment  

Flesh For My Halloween Movie Repertoire

The heat of summer dwindles and expires, a burning wick extinguished by the howl of the autumn wind. Freed of the chatter of bright birds and the buzzing of the honey gatherers, the aged land itself murmurs to us in the click and clack of the bare tree branches above and the crunch of dead leaves beneath our feet, whispering the portents of All Hallow’s Eve. Yep, it’s my favorite time of the year again, and my favorite feature on this blog, where I make my way through as many first time horror movie watches as I can get my eyeballs on before my annual end of season Halloween III viewing Halloween night.

So let’s jump in, shall we?

#1 – Older Gods – A man investigating the disappearance of his friend stumbles upon an ancient cult. I allowed myself to be duped into watching another ‘Lovecraftian’ movie that’s not Lovecraftian at all. This has some neat visuals scattered here and there but it’s too talky with trite dialogue and doesn’t capture the cosmic dread I was hoping for. All the more unenjoyable because I just realized I could have watched it for free on Tubi.

#2 Terrifier 2 – Art The Clown (David Howard Thorn) inexplicably returns to wreak more high quality practical FX havoc on beautiful young women, this time setting his sights on a high school girl (the very lovely Lauren LaVera, playing much younger in true horror fashion) her mom (Sarah Voight), and Art-obsessed younger brother (Elliott Fullam), who have recently lost their father, a man plagued by strange visions of the killer clown. The first movie was simply relentless if creative brutality. This one veers into decidedly supernatural territory, very effectively capturing the bizarre, dream-like feel of a certain kind of 80’s slasher, something like Nightmare On Elm Street and Phantasm. There is a plucky heroine in Heavy Metal armor wielding a magic sword dancing with animated Berry Gordy Last Dragon energy, an impish sidekick for Art (Amelie McLain) that only some people can see, a musical fantasy sequence, and not much in the way of explanation as to how all this bizarre and incongruous stuff ties together….and I loved it. Don’t miss the revolting mid-end-credit sequence with a Chris Jericho cameo.

#3 Saw X – Moralizing psychopath John Kramer (Tobin Bell) flies down to a yellow tinted Mexico to avail himself of an experimental treatment to remove his terminal brain tumor, gets conned, and forces the grifters to participate in a series of elaborate and bloody ‘tests of character’ in this prequel entry into the long running series. The sadistic mechanisms and credibility stretching plot twists are in full effect as ever. It takes a certain mentality to see the fun in these movies, which are basically violent cathartic fantasies, and my daughter and her friend and I are definitely of that mindset, but I was sort of miffed at the survival of the movies most heinous villain. Some nice cameos by series regulars, but I wondered what the point of this sidetrack was in the context of the greater series.

#4 House of Darkness – Hap (Justin Long, playing yet another ‘hap’-less chauvinistic douchebag duped into visiting a big scary house – he’s almost a genre unto himself now) drives pretty Mina (Kate Bosworth) home from a bar to her remote, palatial estate, and takes about an hour and a half holding out hope that something awesome is going to happen. It’s very clear early on from the way she draws out and calls into question his numerous character defects that Mina has other, more sinister plans for him. Could not have been more by-the-numbers if it had come with a paint set.

#5 Cat People (1942) Beautifully shot but not-so-wonderfully acted melodrama about a Serbian girl, Irena (Simone Simon) who believes she is descended from a race of accursed cat people, and will turn into a rampaging black panther if her passions are aroused. Nevertheless, she marries shortsighted engineer Oliver Reed (no, not that one – Kent Smith). When she refuses to consummate their marriage cad Oliver sets his sights on his more willing co-worker Alice (Jane Randolph) and enlists psychiatrist Dr. Judd (Tom Conway, sounding exactly like the city wolf from the Texas Avery Wolf ‘N Red cartoons) to have her declared insane so he can annul the marriage (nice guy). But Irena can’t be put on the shelf that easily. Interesting enough premise is bogged down by stiff acting and dialogue.

#6 – The Pope’s Exorcist – When a boy (Peter DeSouza-Feighoney) is possessed by an evil spirit inhabiting a cursed monastery his mother (Alex Essoe) has been engaged in restoring, the Pope (Franco ‘Django’ Nero) assigns the Vatican’s greatest exorcist, Father Amorth (Russell Crowe) and a local priest (Daniel Zovatto) to the case. As a horror fan, The Exorcist is the scariest movie I’ve ever seen. As a Catholic who, growing up, wanted to be a priest, I’m a sucker for priests as occult detectives. This is not a great movie, not scary, and pretty by the numbers as exorcism movies go, with a foul mouthed little kid throwing people across the room and scrawling disheartening messages on his own flesh mysteriously. Every trope gets rehashed. And yet, it has little flashes of pulpy goodness that remind me of why I like the Hellboy and St. George comics, and love Van Helsing as a character. Spitting up a cardinal, a monk’s esoteric map with 199 evil sites on earth where ‘God is not welcome,’ A king of Hell trying to infiltrate the church, dungeons of condemned rebel angels, heroic self-sacrificing friars, and an arm of the Vatican devoted to esoteric battle….yeah, that hit the right notes for me. Plus, the characters are extremely likeable. Crowe makes a quirky, humble, and engaging Amorth, his young assistant is flawed and relatable, and I even enjoy the family dynamic. I feel like I shouldn’t like this, but I do, and would be pleased to see more occult Amorth adventures.

#7 – The Conjuring: The Devil Made Me Do It – The Warrens (Patrick Wilson and Vera Farmiga) battle for the soul of young man (Ruairi O’Connor) literally caught red-handed murdering a co-worker, in order to convince a court that he was acting under demonic influence. The concept was so far out I was with it right from the start. I was very skeptical of the Conjure-verse from the outset but the weirder they get the more I enjoy them. Eugenie Bondurant is really creepy as a nefarious enemy occultist. Some imaginative sequences involving a waterbed, an animated autopsy subject, and some excruciating contortions (sounds sexier than it is, I realize) make for memorable watching.

#8 – A Nightmare On Elm Street 2: Freddy’s Revenge – Vengeful child molesting dream killer Freddy (Robert Englund) attempts to inhabit sexually confused Jesse (Mark Patton) so that he can affect the real world. I’ve seen Nightmare 1, parts of 3, New Nightmare, and Freddy vs. Jason, so I’m making my way through the series for the first time. I had read somewhere that this movie had a possible gay subtext, but boy, if this is subtext, I can’t imagine what a blatantly gay Freddy movie would look like. LOTS of male on male gazing and overcompensation/posturing, but nary a bare female breast in sight. Sweaty Jesse’s attraction to girl next door Lisa (Kim Myers) feels pretty obligatory when he’s running laps and obediently hitting the showers for his intense, gum chewing, S&M bar haunting gym teacher (played with brooding intensity by Marshall Bell) in his dreams (Possibly?) and metaphorically running to the firm arms of his hunky best bud Grady (Robert Rusler) every chance he gets. The horror feels very personal and identity based, though there are some neat, if surpassingly weird FX (exploding canaries/hot dogs, Freddy memorably bursting out of a character’s skin). The whole thing has a feverish, appropriatel#9y dreamlike quality. I think it was shots of Freddy leaping from the pool to terrorize teenagers in an early TV ad that made me steer well clear of this series as a kid. I’m not the biggest Freddy fan because I can’t get past that he’s a child molester and I hated his wise cracking (later?) incarnations, but this was a very interesting flick.

#9 Let’s Scare Jessica To Death

Recently institutionalized Jessica (Zohra Lampert), her husband Duncan (Barton Heyman) and their hippie friend Woody (Kevin O’Connor) arrive to take possession of a newly acquired country house and are surprised to find a mysterious, attractive drifter, Emily (Mariclare Costello) already squatting there. Sensing that her friend is attracted to the drifter, she and her husband invite her to stay, but Emily is not content with Woody’s affections and her appetites prove voracious. Lampert effectively portrays a fragile psyche who doubts her perceptions of the increasingly strange occurrences around her until it’s too late. The whole thing has a very anxious, paranoid, delusional air, and I was doubting what was going on myself….and am still not 100% positive what happened at the end happened. Put me on edge. Very well done.

#10 A Nightmare On Elm Street 4 The Dream Master – Dreamkiller Freddy Kruger (Robert Englund) gets revenge on the three ‘dream warriors’ from the last entry and then sets his sights on their friend circle, including Alice (Lisa Wilcox). A bit of a step down for me from the superior Dream Warriors, beginning with the recasting of Patricia Arquette. My daughter and I were kinda let down every time Kruger killed one of our beloved characters (at one point I turned to her and ordered her to stop saying she liked so and so). Good FX work, but I don’t know….something is missing I can’t put my finger on. MC Lyte raps on the Sinead O’Connor cut. Even Freddy raps over the end credits with the Fat Boys (I think).

#11 – Significant Other – Ruth and Harry (Maika Monroe and Jake Lacy) take a hike through the Pacific Northwest. After Harry’s marriage proposal to Ruth goes over like a lead balloon, she wanders into a cave and encounters something that significantly changes the dynamics of their relationship. Tense, twisty beginning kept me guessing and really did surprise me, but once the box was opened, it didn’t have much to do or say. Lacy’s performance sorta wears thin.

#12 – A Nightmare On Elm Street 5 The Dream Child – Freddy Krueger (Robert Englund) gets his backstory filled out when he orchestrates his return through a victim’s unborn child. We learn about Freddy’s crazy conception (The Son of A Hundred Maniacs!) and get some pretty interesting kills (a guy merging with his motorcycle and a young woman with body dysmorphia dying of force feeding) but the FX are the biggest draw.

#13 – Freddy’s Dead: The Final Nightmare – Bonkers entry begins with an Escape From New York-like crawl stating that Freddy (Robert Englund) has killed every teenager in Springwood except one (Shon Greenblatt), who makes his way to a teen shelter where the dream killer’s long lost offspring is waiting to destroy him once and for all. A dream-logic plot involves an appealing cast of youngsters (Breckin Meyer, Ricky Dean Logan, and Lezlie Dean) following their impromptu guardian (Lisa Zane) through various illusions, plummeting houses, an apocalyptic Springwood, and Freddy’s tragic childhood, with cameo appearances by Johnny Depp, Roseanne Barr, Tom Arnold, and Alice Cooper along the way. I guess it’s not well regarded. Typically, I enjoyed it. I kept waiting for them to work in the Curtis Mayfield song. Missed opportunity.

#14 – Leatherface: Texas Chainsaw Massacre III – Michelle (Kate Hodge) and her boyfriend (William Butler) drive her father’s car from California through Texas and stop at a last-chance gas station, where they inevitably run into a succession of ever increasingly weird succession of Texas maniacs, apparently the extended family of Leatherface (R.A. Mihailoff/Kane Hodder). This had a pretty promising setup with Viggo Mortenson, Joe Unger, and Tom Everett turning in great, quirky performances, and even Ken Foree of Dawn of The Dead showing up, but it kinda devolved into a heavy metal neon terror clown haunted house ride with no truly memorable or affecting scares.

#15 – When Evil Lurks – When Pedro (Ezequiel Rodriguez) discovers a bloated, diseased man being hidden by his mother in a rural shack, he knows a demon is about to be birthed and sets out to scour the countryside of the impending evil and protect his two sons. This has some truly horrific and mindbendingly gory FX work, but one of the most generic English titles ever. Seriously I couldn’t tell anybody about this movie because I could never get the title right. Anyway, lots of gotcha moments and intriguing word building (love that a demon gets befuddled and stuck in the labyrinth of an autistic child’s mind), but I dunno….something didn’t quite feel cohesive to me. Like there wasn’t a unifying coherence to the rules. Worth a watch though.

#16 – The Fall of The House of Usher – Generationally rich family of influencers are miserable to each other. I look forward to Mike Flanagan’s horror miniseries on Netflix every Halloween, but this and The Midnight Club didn’t land with me at all. I barely made it through the first episode of both of them. I just didn’t care about any of the characters or proceedings, and if I had to hear one more rich a-hole lecture on how Ushers changed the world….well, it turns out I didn’t. DNF.

#16 – Nanny – A Senegalese woman (Anna Diop) toils thanklessly as a nanny for a wealthy New York couple (Michele Monaghan and Morgan Spector) in the hopes of bringing her son over from Senegal in time for his birthday. Horror as metaphor with a telegraphed punch you might not see coming if you’ve never read an EC horror comic or seen an episode of the Twilight Zone. Well made, well acted, but cultural message aside, just nothing noteworthy.

#17 Five Nights At Freddy’s – Mike Schmidt (Zathura’s Josh Hutcherson) takes a job as a nightwatchman at an old Showbiz-style pizza place to help support his little sister (Piper Rubio) and learns the horrific secret of the old animatronics characters still there collecting dust. I admit I took a long blink during a sizable chunk of this in the theater and I wound up with a lot of questions, some of which my kids assured me were answered in the extensive lore of the game this is based on, but others of a logical nature that left me dissatisfied (when did Mike’s parents have time to have a daughter and if they were Amidala-levels of sad at the loss of his little brother, why have a girl at all? Why was this place left standing at all given its history?). A lot of Youtuber cameos I guess. It honestly wasn’t bad and I’d like to give it another shot. A nice gateway horror movie for kids.

I have to apologize to readers of this blog. I had a lot of earth shaking real life events this past October that prevented me from sitting on my butt and watching all the movies I hoped to watch. I didn’t even get my requisite viewing of Halloween 3 in. Next year I will make up the difference, God willing.

My top watches of these? Nothing really blew my top off honestly. I guess Terrifer 2, Pope’s Exorcist, and Let’s Scare Jessica To Death

Published in: on October 1, 2023 at 1:41 pm  Comments (1)  

Today Is The 50th Anniversary of The Birth of Hip-Hop

Happy 50th birthday to what to me as a high school kid who never felt like he fit in anywhere was MY soundtrack growing up, the music that spoke to me the most.

My parents had Elvis and Chuck Berry – this was the genre that I witnessed the birth of – how, in my mind, could a young man NOT love it?

I remember I had this baby blue 70 Cutlass drop-top (“Chloey”) as a kid and one of my friends complained that I was always playing this rap stuff on the radio while we drove around when it was obviously a rock and roll car. I begged to differ. From the first record scratch I heard, from the first time I heard the voices of JJ Fad and Young MC, Guru, Nate Dogg and Q-Tip on through the rhymes of P.E., De La and Pharcyde, right up to now, this is still my rock and roll.

The sacred, deeply magical combination of bass lines, samples and metaphors like clever references that span the length and breadth of human musical endeavor combined in fantastic new ways to produce something previously unheard and wholly original. With hip-hop, the more you delve and trace the roots, the more open your musical tastes, the more you are rewarded.

If I look deep, my abiding love of it has informed all the art I produce. DEFINITELY the book that dropped today. Call me an asshole, but I’m still the guy who loves nothing better than rolling down the highway with the windows down and the bass up, thumping like the heartbeat of the universe with the wind in my hair.

Peace to the gods. Peace to the goddesses and earths.


Published in: on August 11, 2023 at 2:09 pm  Leave a Comment  
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Conquer: Fear Of A Black Cat – Cover Reveal!

Coming out August 11th (on a definitely related and significant day in history) is the full length novel sequel to my blaxploitation occult detective collection CONQUER….

CONQUER: FEAR OF A BLACK CAT.

It’s 1977 and gods and demons stroll the red-hot streets of the N-Y-C. The Summer of Sam is in full swing when the fortune teller who raised John turns up dead and mutilated in her kitchen. Conquer vows to turn the Five Boroughs upside down in order to find the doer.

Is it the elusive .44 Caliber Killer?

Is it the Devil of Harlem, King Solomon?

What do block parties in the Bronx gotta do with the price of bread?

Is John finally in over his afro?

Betta read the book, sucka, and find out!

Here’s the cover, by Kevin A. Johnson, with design by Shawn T. King.

Preorder up soon!