I’m an old school Trek fan. Specficially TOS (The Original Series), the classic 60’s show with Shatner, Nimoy, Kelly, Doohan, Nichols, Takei, Koenig et al. I love the interplay between the characters, I love the killer retro look and sensibility, the appealing primary color palette. If you haven’t checked out the Animated Series, it’s like a lost fourth season, with much of the same talent both in front of and behind the camera returning. DC Fontana and some of the other writers handle scripts, all the principals return to voice their characters. I discovered it a few years ago on Netflix Instant and it was like going home again for a little while.
But TOS lasted three (four with TAS) seasons and that’s it.
My wife is a big Next Gen fan, but I’m not. The sterile look never really grabbed me like classic Trek, and while the characters and stories are great, I never latched onto them like the original. I got some enjoyment from Voyager and Deep Space Nine, and from the last season of Enterprise when it started doing what it had originally promised, but I’m not a fan of the new movie universe at all.
Nothing ever quite took hold of me like Classic Trek.
A fellow writer, Bobby Nash, was raving about this fan production Star Trek Continues, the other day on his Facebook page, and the stills intrigued me, particularly the re-enacted pose of the TV Guide cover featuring Kirk and Spock looking up at the camera with their arms folded. It was a nifty insider homage, I thought, and the actors playing Kirk and Spock really looked the part.
Reading a bit on it, I realized the crew behind the web series had managed to raise in excess of $120,000 on Kickstarter (Kirkstarter they called it) to get the show running and I was understandably curious.
So I caught the first episode on Youtube (Pilgrim Of Eternity – check it out HERE). It was a sequel to the Who Mourns For Adonais? episode, in which the Greek God Apollo turned out to be a powerful alien being which required the subservient worship of humans to thrive. At the end of that classic episode Apollo is defeated by Kirk and crew and fades out, calling to his fellow exiled Olympians.
Right from the get-go I could see where that Kirkstarter money had gone. They have perfectly recreated the 60’s era Enterprise set. The bridge, the corridors, the crew quarters, even the Jeffries’ tube made an appearance. The costumes were spot on, and most importantly, the lightning was perfect. This looks like a hi-def episode of Classic Trek, precisely like the remastered editions that came out a few years ago, right down to the aspect ratio.
I’ve seen some very well-produced fan films of Trek, Star Wars, and superheroes. There is some very impressive work out there, but one uniform problem I’ve had with them is the quality of story and acting. You can have a technical, visual masterpiece on the screen, but if you can’t capture the mood and story of the original, all you’ve got is a pretty copy of something far superior – like a digital photograph of a white sand beach in sunny Puerto Rico. The postcard is never quite as nice as being there with the sand in between your toes.
Now, the STC cast play their parts well. It took me maybe thirty seconds to accept this wasn’t Shatner, Nimoy etc. before I started being drawn in by the story.
Yeah, the story.
In a fan production.
It was pretty cool, and full of nods to the original show without coming across as fan service.
They got Michael Forest to reprise his role as Apollo (here physically diminished by an energy drain) and he picked up the part like he’d only played it the other day, yet with the experience that comes with age, actually making the role…better than the original.
I showed it to my wife.
“The acting’s not bad,” I said. “And the story’s pretty….good.”
So we cued up Lolani.
The STC guys took the old nudge nudge wink wink boy’s club trope of the green skinned Orion slave girl and brought it into modern day context without destroying the sixties framework. They took an eye candy character and gave her nuance and heart, and presented as subtext a condemnation of the poor treatment of women passed off as cultural more existing today. THAT’S Star Trek! Plus, they brought in Lou Ferigno….as a quality, imposing villain….in green body paint!
Plus, Vince Mignogna, who I kind of dismissed as passable in the previous episode, shined in this outing.
In this one Mignogna once again impressed me with his tyrannical Kirk counterpart, but Todd Haberkorn, knocked it out of the park as Spock. I admit my first impression of him in the part was, well, he doesn’t quite have that resonant but flat voice and he’s a little more human looking than Nimoy. But I forgot all that in this episode. He’s got Spock down pat. There’s a great scene where he and his former captain part ways, and Kirk screams his name as the shuttle doors close….loved it.
The rest of the cast hasn’t escaped my attention either. Grant Imahara was seriously echoing the dark version of Sulu in this one, and the lovely Kim Stinger had me from the first singing in the galley as Uhura. Chris Doohan, son of James Doohan, carries on the Scotty role his father originated so admirably it borders on uncanny, and Michelle Specht is a welcome addition as ship’s counselor Elise Makennah.
Yeah, the whole show has me giggling in a good way.
This is a labor of unfettered love for 60’s era Trek and if you’re a fan like I am, you need to check this out right now. This is stellar work, I think even transcending the appellation ‘fan film.’
I can’t wait to see more (and I hope they open up for script submissions!).
It’s probably the greatest gift a Trekkie could ask for.
Check their website here.